“Judy lived in my hotel. She was just seventeen, and what she was doing in Paris was supposedly chaperoning her younger brother, a fully fledged concert pianist of fifteen, who was studying there with one of the leading teachers. In view of their combined and startling innocence, however, this was a rather useless arrangement. Their last name was Galache, and they were the issue with which the highly unlikely union of a Quaker woman from Philadelphia and a dreadfully dashing Spaniard (now, alas, dead) had been blessed. Naturally their upbringing, up to this point, had been strict and very sheltered. … Judy was so different from me that it was really ludicrous. Whereas I was hell-bent for living, she was content, at least for the time being, to leave all that to others. Just as long as she could hear all about it. She really was funny about this. Folded every which way on the floor, looking like Bambi — all eyes and legs and no chin — she would listen for ages and ages with rapt attention to absolutely any drivel that you happened to be talking. It was unbelievable.”
Part One, Two
The Dud Avocado (1958)
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Elaine Dundy 42
American journalist, actress 1921–2008Related quotes

Can vei la lauzeta mover, line 33; translation by Frederick Goldin, from Boris Ford (ed.) Medieval Literature: The European Inheritance (1983) p. 440.

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Tim Teeman, "The importance of being Childish", http://www.timesonline.co.uk/article/0,,22876-2475809.html The Times, 2006-12-02
Childish's name is the most prominent in Tracey Emin's Everyone I have Ever Slept With 1963–1995, appliquéd names in a tent (destroyed in the Momart warehouse fire).