Essay on Atomism: From Democritus to 1960 (1961)
Context: Discontinuity of its linguistic and logical terms is for the conscious analytical intellect psychologically and logically prior to notions of continuity.... This functional priority... may not have been reflected in the history of the development of reason in all human communities.... But it is relevant for the West that the Pythagoreans, with their discrete integers and point patterns, came before Euclid, with his continuous metrical geometry, and that physical atomism as a speculative philosophy preceded by some two thousand years the conception of a continuous physical medium with properties of its own.<!--pp.13-14
“The French symbolists had a special term to express their love for things that had lost their objective significance, namely, ‘spleen.’ The conscious, challenging arbitrariness in the choice of objects, its ‘absurdity’ and ‘perverseness,’ as if by a silent gesture discloses the irrationality of utilitarian logic, which it then slaps in the face in order to demonstrate its inadequacy with regard to human experience. And while making it conscious, by this shock, of the fact that it forgets the subject, the gesture simultaneously expresses the subject’s sorrow over his inability to achieve an objective order. Twentieth-century society is not troubled by such inconsistencies. For it, meaning can be achieved in only one way—service for a purpose.”
Source: Eclipse of Reason (1947), p. 38.
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Max Horkheimer 61
German philosopher and sociologist 1895–1973Related quotes
An Old Chaos: Humanism and Flying Saucers (p. 81)
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Source: One-Dimensional Man (1964), p. 141
Source: Hegel's Idealism: The Satisfactions of Self-Consciousness (1989), p. 20
Introduction : The absurdity of the Absurd
The Theatre of the Absurd (1961)
Context: The Theatre of the Absurd strives to express its sense of the senselessness of the human condition and the inadequacy of the rational approach by the open abandonment of rational devices and discursive thought. While Sartre or Camus express the new content in the old convention, the Theatre of the Absurd goes a step further in trying to achieve a unity between its basic assumptions and the form in which these are expressed. In some senses, the theatre of Sartre and Camus is less adequate as an expression of the philosophy of Sartre and Camus — in artistic, as distinct from philosophic, terms — than the Theatre of the Absurd.
Book II, Chapter 5, p. 274
The Origin of Consciousness in the Breakdown of the Bicameral Mind (1976)
Stephen Hero (1944)
Context: Now for the third quality. For a long time I couldn't make out what Aquinas meant. He uses a figurative word (a very unusual thing for him) but I have solved it. Claritas is quidditas. After the analysis which discovers the second quality the mind makes the only logically possible synthesis and discovers the third quality. This is the moment which I call epiphany. First we recognise that the object is one integral thing, then we recognise that it is an organised composite structure, a thing in fact: finally, when the relation of the parts is exquisite, when the parts are adjusted to the special point, we recognise that it is that thing which it is. Its soul, its whatness, leaps to us from the vestment of its appearance. The soul of the commonest object, the structure of which is so adjusted, seems to us radiant. The object achieves its epiphany.
Quote of Malevich, 1927 in Artists on Art; from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, pp. 452
1921 - 1930