
The Diary Of Anais Nin, Volume Two (1934-1939)
Diary entries (1914 - 1974)
Faust Among Equals (1994)
The Diary Of Anais Nin, Volume Two (1934-1939)
Diary entries (1914 - 1974)
origineel citaat van Johannes Bosboom, in Nederlands: Als schoolknaap was de teekenles mij de liefste geworden en die lust werd niet weinig aangewakkerd, toen, omstreeks mijn twaalfde jaar, de stadsgezichtschilder B. J. van Hove onze buurman werd. Sinds dien tijd begon ik sterk te verlangen naar het oogenblik, waarop ik de schoolbank tegen een plaatsje in zijn atelier zou mogen verwisselen. Dat verlangen werd reeds bevredigd in het najaar van [18]31.
Source: 1880's, Een en ander betrekkelijk mijn loopbaan als schilder, p. 7
Quote in 'Biographical Notes. Tissue of truth, Tissue of Lies', 1929; as cited in Max Ernst. A Retrospective, Munich, Prestel, 1991, pp.283/284
1910 - 1935
from Rauschenberg, Barbara Rose, Vintage Books, New York, 1987, p. 86
1980's
as quoted in Post-Impressionism, From Van Gogh to Gauguin, John Rewald, Museum of Modern Art, New York, 1956, p. 86
undated quotes
Source: 1961 - 1975, Barbara Hepworth, A Pictorial autobiography', 1970, p. 283
Misattributed to Chateaubriand on the internet and even some recently published books, this statement actually originated with L. P. Jacks in Education through Recreation (1932)
Misattributed
Context: A master in the art of living draws no sharp distinction between his work and his play; his labor and his leisure; his mind and his body; his education and his recreation. He hardly knows which is which. He simply pursues his vision of excellence through whatever he is doing, and leaves others to determine whether he is working or playing. To himself, he always appears to be doing both.
“He draws upon his subconscious mind.”
Thomas Edison, as quoted in The Living Age, Vol. 312 (1922), p. 742