On Alan Lee 
In the Artist's Studio interview (2010) 
Context: From Alan, I learned to take a more instinctive and intuitive approach to pencil work. I used to let my mind get far too far ahead of my pencil, which can be productive, but removes the serendipitous switch of direction when the pencil and hand discover an idea the mind’s eye had missed. Drawing at the right speed is a sort of graphic contrapposto providing what I’d be tempted to call an “intuitional resilience” unobtainable with more energetic methods. I very much enjoyed working with him, a situation of symbiosis between enthusiasm and despair, the former because his work is just so good, the latter because his work is just so good. He is hard to keep up with, but then I believe he says the same of me. He is a dear friend and a wonderful artist.
                                    
“I had before me the product of two mutually exclusive philosophies. Economism would insist that having made the perfect pencil, Thoreau should make more pencils and sell them for money with which to buy more material to make still more pencils to sell for money to buy still more material, and so on, because the making and selling of pencils is the whole content of life. Thoreau did not believe it is the whole content of life. It was clear that economism's philosophy was the only one which my companion was capable of accepting. Detach him from his particular specialised practice of it, and existence would have no further meaning for him; and in this he was representative of the great bulk of society in this present age.”
Source: Memoirs of a Superfluous Man (1943), p. 173
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Albert Jay Nock 68
American journalist 1870–1945Related quotes
Source: "Institutional economics," 1936, p. 243
“Fortunes made buying and selling securities have underwritten economic revolutions.”
Source: The Poker Face of Wall Street (2006), Chapter 4, A Brief History of Risk Denial, p. 82 (See also: Rothchilds..)
“Film will only become an art when its materials are as inexpensive as pencil and paper.”
As quoted in The Super 8 Book (1975) by Lenny Lipton (ed. Chet Roaman); also in Aesthetic Aspects of Recent Experimental Film (1980) by Barry Walter Moore, Garth S. Jowett, p. 6
“I sell my time to get enough money to buy it back.”
                                        
                                        #151 
Vectors: Aphorisms and Ten Second Essays (2001)
                                    
                                        
                                        version in original Flemish (citaat van Roger Raveel, in het Vlaams): Hugo [Claus], nu zoudt U eens moeten mijn laatste werk zien, een pentekening, drie potloodtekeningen en twee studies met olieverf: een stilleven en een landschap in de hevigste kleuren die Ge U kunt indenken. Aan dat landschap moet ik nog werken maar ik denk dat het mijn beste werk zal zijn, van mijn schilderwerk, en drie tekeningen vind ik mijn beste maar het gelukkigste is dat ik een veel grotere vrijheid heb verworven. 
Quote of Raveel, in a letter to his friend Hugo Claus, from Machelen aan de Leie, 20-24 March 1948; as cited in Hugo Claus, Roger Raveel; Brieven 1947 – 1962, ed. Katrien Jacobs, Ludion; Gent Belgium, 2007 - ISBN 978-90-5544-665-0, p. 50 (translation: Fons Heijnsbroek) 
1945 - 1960