“.. a yellow square, a red and blue avenue, an Eiffel tower with a camouflaged silhouette…. that would all be lit up at night, instead of fireworks. [a proposal to Trotsky of a 'polychrome Moscow', for the 1937 exhibition].”

— Fernand Léger

Quote from Fernand Léger – The Later Years -, catalogue ed. Nicolas Serota, published by the Trustees of the Whitechapel Art gallery, London, Prestel Verlag, 1988; p. 60
Quotes of Fernand Leger, 1930's

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote ".. a yellow square, a red and blue avenue, an Eiffel tower with a camouflaged silhouette…. that would all be lit up at …" by Fernand Léger?

Fernand Léger 42

French painter 1881–1955

Related quotes

“I reduced painting to its logical conclusion and exhibited three canvases: red, blue and yellow. I affirmed: it's all over. Basic colors. Every plane is a plane and there is to be no representation.”

Alexander Rodchenko (1891–1956) Russian artist and photographer

Quote in: 'The Death of Painting'; from the MoMA-website: Interactives: texts https://www.moma.org/interactives/exhibitions/1998/rodchenko/texts/death_of_painting.html
Rodchenko is looking back: in 1921 he executed what were arguably some of the first true monochromes (artworks of one color; source, Wikipedia:Rodchenko)

“Never paint except with the three primary colors [red, blue, and yellow] and their derivatives.”

Camille Pissarro (1830–1903) French painter

Attributed to Pisarro, in Philip Ball (2001() Bright Earth: Art and the Invention of Color. p. 178
Advise to his students to lightening their palette and remove colours such as black, ocher and sienna
undated quotes

“You'll start talking, and pretty soon we'll all start nodding, and then the next thing you know, I'm hang gliding off the Eiffel Tower at night, being chased by ninja vampires”

Kathy Reichs book Seizure

Source: Seizure

“The colours red, blue and green are real. The colour yellow is a mystical experience shared by everybody.”

Tom Stoppard book Rosencrantz and Guildenstern Are Dead

Source: Rosencrantz and Guildenstern Are Dead

“Opposite my studio a huge factory — its black walls scarred with red stigmas of mysterious battles — was towering with the gloom of a prison. At night fires gave to innumerable windows menacing blazing looks of demons — while at other times vivid blue-green lights rang sharply in harmony with the radiant yellow-green alertness of cats enjewelling the obscurity around.”

Joseph Stella (1877–1946) American artist

Source: "The Brooklyn Bridge (A page of my life)," 1929, p. 87

“You know my tendency is always to imagine things in my head and to work from this idea. I am going to explain my theory of blue, yellow and red, which will probably seem as 'Spanish' to you as my face.
Blue is the male principle, astringent and spiritual. Yellow is the female principle, gentle, gay and spiritual. Red is matter, brutal and heavy and always the color to be opposed and overcome by the other two. For example, if you mix serious, spiritual blue with red, you intensify the blue to unbearable sorrow, and yellow the conciliatory, the complementary color to purple, becomes indispensable... If you mix red and yellow to make orange, you turn passive, feminine yellow into a Fury, with sensual force that again makes cool, spiritual blue indispensable, the man..”

Franz Marc (1880–1916) German painter

Quote in Franz Marc's letter to August Macke, Dec. 1910; as cited by de:Wolf-Dieter Dube, in Expressionism; Praeger Publishers, New York, 1973, p. 129
1905 - 1910

“At last you're tired of this elderly world
Shepherdess O Eiffel Tower this morning the bridges are bleating
You're fed up living with antiquity”

Guillaume Apollinaire book Alcools

A la fin tu es las de ce monde ancien
Bergère ô tour Eiffel le troupeau des ponts bêle ce matin
Tu en as assez de vivre dans l'antiquité grecque et romaine
"Zone", line 1; translation from Donald Revell (trans.) Alcools (Hanover, NH: Wesleyan University Press, 1995) p. 3.
Alcools (1912)

“Sedov (Trotsky's son) spoke a lot about the necessity of the maximum, the closest possible connections with Tukhachevsky, inasmuch as, in Trotsky's opinion, Tukhachevsky and the military group were to be the decisive force of the counter-revolutionary action. During the conversation it was also revealed that Trotsky entertained fears regarding Tukhachevsky 's Bonapartist tendencies. In the course of one conversation Sedov said that Trotsky in this respect even expressed the fear that if Tukhachevsky successfully accomplished a military coup, it was possible that he would not allow Trotsky into Moscow.... Trotsky therefore proposed that during the coup d'etat we should everywhere place our own people, people who would be faithful to Trotskyism and who could be relied upon as regards vigilance.”

Arkady Rosengolts (1889–1938) Belarusian politician

Trial of Anti-Soviet Bloc of Rights and Trotskyites, p. 245-6. Quote from Harpal Brar's Trotskyism or Leninism?, p. 281.

“I should like the fields tinged with red, the rivers yellow and the trees painted blue. Nature has no imagination.”

Charles Baudelaire (1821–1867) French poet

“A great many things are dying very violently all the time. The best days for violent deaths are Tuesdays. They are the yellow-paint days. Saturdays are second best -- or worst. Saturdays are red-paint days. The Great Death Game is therefore a contest between red-paint days and yellow-paint days. So far yellow-paint days are winning by thirty-one corpses to twenty-nine. Whatever the colour, a violent death is always celebrated by a firework.”

Peter Greenaway (1942) British film director

Drowning By Numbers

“.. a yellow square, a red and blue avenue, an Eiffel tower with a camouflaged silhouette…. that would all be lit up at night, instead of fireworks. [a proposal to Trotsky of a 'polychrome Moscow', for the 1937 exhibition].”

Help us to complete the source, original and additional information

Fernand Léger 42

Related quotes

Related topics