“My definition of art has always been the same. It is about freedom of expression, a new way of communication. It is never about exhibiting in museums or about hanging it on the wall. Art should live in the heart of the people. Ordinary people should have the same ability to understand art as anybody else. I don’t think art is elite or mysterious. I don’t think anybody can separate art from politics. The intention to separate art from politics is itself a very political intention.”

Alan Moore on Anarchism (2009)
Context: As to how politics relate to the storytelling process, I’d say that it’s probably in the same way that politics relate to everything. I mean, as the old feminist maxim used to go, “the personal is the political.” We don’t really live in an existence where the different aspects of our society are compartmentalized in the way that they are in bookshops. In a bookshop, you’ll have a section that is about history, that is about politics, that is about the contemporary living, or the environment, or modern thinking, modern attitudes. All of these things are political. All of these things are not compartmentalized; they’re all mixed up together. And I think that inevitably there is going to be a political element in everything that we do or don’t do. In everything we believe, or do not believe.
I mean, in terms of politics I think that it’s important to remember what the word actually means. Politics sometimes sells itself as having an ethical dimension, as if there was good politics and bad politics. As far as I understand it, the word actually has the same root as the word polite. It is the art of conveying information in a politic way, in a way that will be discrete and diplomatic and will offend the least people. And basically we’re talking about spin. Rather than being purely a late 20th, early 21st century term, it’s obvious that politics have always been nothing but spin. But, that said, it is the system which is interwoven with our everyday lives, so every aspect our lives is bound to have a political element, including writing fiction.

2010-, Ai Weiwei Does Not Feel Powerful, 2011

2010-, Ai Weiwei: ‘Shame on Me.’, 2011

Regarding his latest art exhibition, as quoted in The Age http://www.theage.com.au/ (30 June 2010).
2010s

Interview, The Paris Review No. 80, Spring 2000 http://www.theparisreview.org/interviews/730/the-art-of-poetry-no-80-geoffrey-hill

Source: 1956 - 1967, Art-as-Art Dogma' part II, (1964), p. 155

"Why I Write," Gangrel (Summer 1946)

Art after Philosophy, 1969