
Source: 1950's, Interview by William Wright, Summer 1950, p. 144
Source: Practical Pictorial Photography, 1898, Printing the picture and controlling its formation, p. 90
Source: 1950's, Interview by William Wright, Summer 1950, p. 144
“Language is texture of images and music. We speak in images and rhythm, by taking help of words.”
<span class="plainlinks"> Foreword, 'Tales of Transformation: English Translation of Tagore's Chitrangada and Chandalika', Lopamudra Banerjee, (2018). https://www.amazon.co.uk/dp/B07DQPD8F4/</span>
From Prose
Source: 1950 - 1960, Interview with David Sylvester, BBC (March 1960), pp. 95
The main requirements seem to be: audacity and a joy in defiance; an iron will; a fanatical conviction that he is in possession of the one and only truth; faith in his destiny and luck; a capacity for passionate hatred; contempt for the present; a cunning estimate of human nature; a delight in symbols (spectacles and ceremonials); unbounded brazenness which finds expression in a disregard of consistency and fairness; a recognition that the innermost craving of a following is for communion and that there can never be too much of it; a capacity for winning and holding the utmost loyalty of a group of able lieutenants. This last faculty is one of the most essential and elusive.
Section 90
The True Believer (1951), Part Three: United Action and Self-Sacrifice
Description of his portrait of Australia Prime Minister Julia Gillard, his submission to the Bald Archy Prize — cited in: [Artists brush up on wit for poke at awards, Canberra Times, 12 February 2011, Federal Capital Press of Australia Ltd., Australia]
it's just the idea of imitating the beer can that is important.
Quote from 'Some late thoughts of Marcel Duchamp', an interview with Jeanne Siegel, p. 21; as quoted in 'The New York school – the painters & sculptors of the fifties' Irving Sandler, Harper & Row, Publishers, 1978, p. 194
posthumous
“Time is the brush of God, as he paints his masterpiece on the heart of humanity.”
Source: Quotes, 1960 - 1970, Questions to Stella and Judd' - September 1966, p. 120
“My brush-strokes start in nothing and they end in nothing, and in-between you find the image.”
Quote from 'The eye of the beholder', Carlo McCormick
Karel Appel – the complete sculptures,' (1990) not-paged