Source: 1950's, Interview by William Wright, Summer 1950, p. 144
“The texture of the printed image is of such peculiar character that neither brush or liquid paint seem capable of imitating it.”
Source: Practical Pictorial Photography, 1898, Printing the picture and controlling its formation, p. 90
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Alfred Horsley Hinton 64
British photographer 1863–1908Related quotes
“Language is texture of images and music. We speak in images and rhythm, by taking help of words.”
<span class="plainlinks"> Foreword, 'Tales of Transformation: English Translation of Tagore's Chitrangada and Chandalika', Lopamudra Banerjee, (2018). https://www.amazon.co.uk/dp/B07DQPD8F4/</span>
From Prose
Source: 1950 - 1960, Interview with David Sylvester, BBC (March 1960), pp. 95
The main requirements seem to be: audacity and a joy in defiance; an iron will; a fanatical conviction that he is in possession of the one and only truth; faith in his destiny and luck; a capacity for passionate hatred; contempt for the present; a cunning estimate of human nature; a delight in symbols (spectacles and ceremonials); unbounded brazenness which finds expression in a disregard of consistency and fairness; a recognition that the innermost craving of a following is for communion and that there can never be too much of it; a capacity for winning and holding the utmost loyalty of a group of able lieutenants. This last faculty is one of the most essential and elusive.
Section 90
The True Believer (1951), Part Three: United Action and Self-Sacrifice
Description of his portrait of Australia Prime Minister Julia Gillard, his submission to the Bald Archy Prize — cited in: [Artists brush up on wit for poke at awards, Canberra Times, 12 February 2011, Federal Capital Press of Australia Ltd., Australia]
it's just the idea of imitating the beer can that is important.
Quote from 'Some late thoughts of Marcel Duchamp', an interview with Jeanne Siegel, p. 21; as quoted in 'The New York school – the painters & sculptors of the fifties' Irving Sandler, Harper & Row, Publishers, 1978, p. 194
posthumous
“Time is the brush of God, as he paints his masterpiece on the heart of humanity.”
Source: Quotes, 1960 - 1970, Questions to Stella and Judd' - September 1966, p. 120
“My brush-strokes start in nothing and they end in nothing, and in-between you find the image.”
Quote from 'The eye of the beholder', Carlo McCormick
Karel Appel – the complete sculptures,' (1990) not-paged