
[The Real Face of Atheism, 2004, 9780801065118, 3293056M, http://books.google.com/books?id=0SD0mYaYz3sC&pg=PA25&dq=%22in+his+book+Modern+Times%22, 25]
2000s
Source: A Distant Mirror (1978), p. 534
[The Real Face of Atheism, 2004, 9780801065118, 3293056M, http://books.google.com/books?id=0SD0mYaYz3sC&pg=PA25&dq=%22in+his+book+Modern+Times%22, 25]
2000s
Source: The End of Science (1996), p. 14
Source: Art on the Edge, (1975), p. 58, "Newman: Meaning in Abstract Art II" : On Barnett Newman
“Under his [ Marc Chagall ] sole impulse metaphor made its triumphal entry into modern painting.”
Quote in Chagall – a biography, Jackie Wullschlagger, Knopf, Publisher, New York 2008, text from inside-cover
after 1930
Source: Sociology and modern systems theory (1967), p. vii.
Illness As Metaphor (1978), ch. 7 (pp. 55-56)
Context: There is a peculiarly modern predilection for psychological explanations of disease, as of everything else. Psychologizing seems to provide control over the experiences and events (like grave illnesses) over which people have in fact little or no control. Psychological understanding undermines the "reality" of a disease. That reality has to be explained. (It really means; or is a symbol of; or must be interpreted so.) For those who live neither with religious consolations about death nor with a sense of death (or of anything else) as natural, death is the obscene mystery, the ultimate affront, the thing that cannot be controlled. It can only be denied. A large part of the popularity and persuasiveness of psychology comes from its being a sublimated spiritualism: a secular, ostensibly scientific way of affirming the primacy of "spirit" over matter.
All Sex, All the Time http://www.city-journal.org/html/10_3_urbanities-all_sex.html (Summer 2000).
City Journal (1998 - 2008)