Source: Letter to his daughter (1978), p. 80.
Context: Religion is a link between God and man and man and man. Political ideology is a link between man and man. For this reason the great religions of the world like Hinduism, Buddhism, Judaism, Christianity and Islam, the last of all religions, have outlived and outlasted political ideologies. If an unlearned adventurer in his quest for political power and perpetuation brings religion down from its celestial plane to a mundane level by converting it into a narrow political ideology, the adventurer endangers the link between God and man and man and man.
“To communicate through silence is a link between the thoughts of man.”
US News & World Report (23 February 1987)
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Marcel Marceau 13
French mime and actor 1923–2007Related quotes
Oscar Iden Lecture Series, Lecture 3: "The State of Individuals" (1976)
Source: Cours de linguistique générale (1916), p. 112
Context: The characteristic role of language with respect to thought is not to create a material phonic means for expressing ideas but to serve as a link between thought and sound, under conditions that of necessity bring about the reciprocal delimitations of units. Thought, chaotic by nature, has to become ordered in the process of its decomposition. Neither are thoughts given material form nor are sounds transformed into mental entities; the somewhat mysterious fact is rather that "thought-sound" implies division, and that language works out its units while taking shape between two shapeless masses. Visualize the air in contact with a sheet of water; if the atmospheric pressure changes, the surface of the water will be broken up into a series of divisions, waves; the waves resemble the union or coupling of thought with phonic substance.
Thought and Word, i
The Note-Books of Samuel Butler (1912), Part VII - On the Making of Music, Pictures, and Books
“The silence between us was so profound I thought part of it must be my fault.”
Source: The Bell Jar
Part One: 1. Stultifera Navis
History of Madness (1961)
Context: Water and navigation had that role to play. Locked in the ship from which he could not escape, the madman was handed over to the thousand-armed river, to the sea where all paths cross, and the great uncertainty that surrounds all things. A prisoner in the midst of the ultimate freedom, on the most open road of all, chained solidly to the infinite crossroads. He is the Passenger par excellence, the prisoner of the passage. It is not known where he will land, and when he lands, he knows not whence he came. His truth and his home are the barren wasteland between two lands that can never be his own. […] One thing is certain: the link between water and madness is deeply rooted in the dream of the Western man.
Source: On the Fetish Character in Music and the Regression of Listening (1938), p. 271