The Paris Review interview (1982)
Context: You know C. S. Lewis, whom I greatly admire, said there’s no such thing as creative writing. I’ve always agreed with that and always refuse to teach it when given the opportunity. He said there is, in fact, only one Creator and we mix. That’s our function, to mix the elements He has given us. See how wonderfully anonymous that leaves us? You can’t say, “I did this; this gross matrix of flesh and blood and sinews and nerves did this.” What nonsense! I’m given these things to make a pattern out of. Something gave it to me.
I’ve always loved the idea of the craftsman, the anonymous man. For instance, I’ve always wanted my books to be called the work of Anon, because Anon is my favorite literary character. If you look through an anthology of poems that go from the far past into the present time, you’ll see that all the poems signed “Anon” have a very specific flavor that is one flavor all the way through the centuries. I think, perhaps arrogantly, of myself as “Anon.” I would like to think that Mary Poppins and the other books could be called back to make that change. But I suppose it’s too late for that.
“Unhappiness is our element. We come to believe we can't function without it.”
How to Save Your Own Life (1977)
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Erica Jong 95
Novelist, poet, memoirist, critic 1942Related quotes
Section 6
The Passionate State Of Mind, and Other Aphorisms (1955)
As quoted in We Hold These Truths https://books.google.com/books?id=QQH6lsN4TIIC&pg=PA73&dq=%22I+believe+a+time+will+come+when+an+opportunity+will+be+offered+to+abolish+this+lamentable+evil.%22&hl=en&sa=X&ved=0CCgQ6AEwAmoVChMI6NiP0LjSxwIVBD0-Ch1EqwFq#v=onepage&q=%22I%20believe%20a%20time%20will%20come%20when%20an%20opportunity%20will%20be%20offered%20to%20abolish%20this%20lamentable%20evil.%22&f=false, by Randall Norman Desoto, p. 73
1770s, Letter to Robert Pleasants (1773)
quote, p. 378
posthumous publications, El Lissitzky, El Lissitzky : Life, Letters, Texts (1967; 1980)
“And I can't believe that we would lie in our graves,
Dreaming of things that we might have been.”
Lie in Our Graves
Crash (1996)
"The Rise".
The Long-Legged House (1969)
Context: We haven't accepted — we can't really believe — that the most characteristic product of our age of scientific miracles is junk, but that is so. And we still think and behave as though we face an unspoiled continent, with thousands of acres of living space for every man. We still sing "America the Beautiful" as though we had not created in it, by strenuous effort, at great expense, and with dauntless self-praise, an unprecedented ugliness.