
“When our emotions are engaged, we often have trouble seeing things as they are.”
Source: The Art of Seduction
Literary Remains
“When our emotions are engaged, we often have trouble seeing things as they are.”
Source: The Art of Seduction
Who is Lucifer?
The Lucifer Principle: A Scientific Expedition Into the Forces of History (1997)
“Yes, it was not journalism’s finest hour. But, MacAllister often argued, it never had been.”
Source: Academy Series - Priscilla "Hutch" Hutchins, Odyssey (2006), Chapter 24 (p. 222)
Source: A Treatise On Political Economy (Fourth Edition) (1832), Book I, On Production, Chapter XVII, Digression, p. 159
“After death the sensation is either pleasant or there is none at all. But this should be thought on from our youth up, so that we may be indifferent to death, and without this thought no one can be in a tranquil state of mind. For it is certain that we must die, and, for aught we know, this very day. Therefore, since death threatens every hour, how can he who fears it have any steadfastness of soul?”
Post mortem quidem sensus aut optandus aut nullus est. Sed hoc meditatum ab adulescentia debet esse mortem ut neglegamus, sine qua meditatione tranquillo animo esse nemo potest. Moriendum enim certe est, et incertum an hoc ipso die. Mortem igitur omnibus horis impendentem timens qui poterit animo consistere?
section 74 http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A2007.01.0039%3Asection%3D74
Cato Maior de Senectute – On Old Age (44 BC)
Source: Real Presences (1989), III: Presences, Ch. 3 (p. 170).
Glenn Gould Reader p5
Context: The trouble begins when we start to be so impressed by the strategies of our systematized thought that we forget that it does relate to an obverse, that it is hewn from negation, that it is but very small security against the void of negation which surrounds it. And when that happens, when we forget these things, all sorts of mechanical failures begin to disrupt the functions of the human personality. When people who practice an art like music become captives of those positive assumptions of system, when they forget to credit that happening against negation which system is, and when they become disrespectful of the immensity of negation compared to system — then they put themselves out of reach of that replenishment of invention upon which creative ideas depend, because invention is, in fact, a cautious dipping into the negation that lies outside system from a position firmly ensconced in system.
The Artist's Way (1992)
Context: All too often too often we try to push, pull, outline and control our ideas instead of letting them grow organically. The creative process is a process of surrender, not control.
Mystery is at the heart of creativity. That, and surprise. <!-- p. 195