“If our squawking pacifists were rational, they would perceive that war can be ended only by abolishing the several species of mammals called human; our spacecraft have shown us that Mars and Venus are perfectly warless worlds.”
"On the Roof of the World", Liberty Bell magazine (December 1987)
1970s, 1980s
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Revilo P. Oliver 37
American philologist 1908–1994Related quotes

Source: Locksley Hall Sixty Years After (1886), Line 172

2000s, Speech at the Four Seasons, New York (25 September 2008)
Discussing http://www.nicap.org/articles/ShalettsArticle1.pdf a fisherman's report http://www.waterufo.net/item.php?id=1148 of purplish spheres with portholes maneuvering over the Crow River, Ontario, Are Space Visitors Here?, Fate (summer 1948)
Getting Started, p. 5
How to Argue and Win Every Time (1995)
Context: While birds can fly, only humans can argue. Argument is the affirmation of our being. It is the principal instrument of human intercourse. Without argument the species would perish. As a subtle suggestion, it is the means by which we aid another. As a warning, it steers us from danger. As exposition, it teaches. As an expression of creativity, it is the gift of ourselves. As a protest, it struggles for justice. As a reasoned dialogue, it resolves disputes. As an assertion of self, it engenders respect. As an entreaty of love, it expresses our devotion. As a plea, it generates mercy. As charismatic oration it moves multitudes and changes history. We must argue — to help, to warn, to lead, to love, to create, to learn, to enjoy justice — to be.

"A New Calendar," The Pall Mall Gazette http://www.online-literature.com/wilde/1307/ (February 17, 1887)

Letter to Governer Kuna von Kunstadt, as reported in William Roscoe Estep, The Anabaptist Story (1996), p. 133

Mailer's Introduction to the 50th Anniversary Edition (1998)
The Naked and the Dead (1948)
Context: For that is the genius of the old man — Tolstoy teaches us that compassion is of value and enriches our life only when compassion is severe, which is to say when we can perceive everything that is good and bad about a character but are still able to feel that the sum of us as human beings is probably a little more good than awful … That fine edge in Tolstoy, the knowledge that compassion is valueless without severity (for otherwise it cannot defend itself against sentimentality), gave The Naked and the Dead whatever enduring virtue it may possess and catapulted the amateur who wrote it into the grim ranks of those successful literary men and women who are obliged to become professional in order to survive …