“I often wished during those years that I could be a lyricist with a camera. […] I took great delight in [Edward Weston's] and many other photographers’ work. I envied them the freedom to photograph a landscape apparently without concern for the implications of its possession.”

“At moments like this I envy those who have found a safe haven in which to bestow their hearts; or perhaps I envy them for having a heart to bestow. I often feel that I myself am without one, and possess in its stead merely a heart shaped stone.”

“Landscape photography is the supreme test of the photographer - and often the supreme disappointment.”

“I make sure that they photograph everything they do. And they have to have a portfolio to graduate. You know, there’s no formula for success out there, but what works is: learn how [to photograph], photograph everything you do and you put those photographs in front of people that can help hire you. That works.”

“In a war the normal codes of civilized behavior are suspended. It would be unthinkable in so-called normal life to go into someone's home where a family is grieving over the death of a loved one and spend long moments photographing them. It simply wouldn't be done. Those picture could not have been made unless I was accepted by the people I'm photographing. It's simply impossible to photograph moments such as those…without the complicity of the people I'm photographing…without the fact that the welcomed me, that they accepted me, that they wanted me to be there. They understand that a stranger who's come there with a camera to show the rest of the world what is happening to them…gives them a voice in the outside world that they otherwise wouldn't have. I try my best to approach people with respect. I want them to see that I have respect for them and the situation they're in. I want to be very open in my approach…feel open in my own heart towards them. I want them to be aware of that. People do sense it…with very few words…sometimes with no words at all.”

“I do not photograph nature. I photograph my visions. Quoted in”

“I photographed the ears. Something organic. Something from the inside out. Coming from the head. I did this ear series in New York ['Ohr' (Ear). c. 1980] and I asked people, women, on the street if I could photograph their ear. Not a single woman said no. Because I didn't ask for their face, but for something largely anonymous.... just women on the street... It only took a moment. The women always said, what, my ear? Sure! But I never offended anyone by examining them. It was just the ear. And everyone thought that was great. That was a nice experience. For me as a photographer, too. Of course, I did work with some light and hair shining in the sun... I tried to make the situation nice for the ear.”

“This is a photograph of me as I wish I looked all the time. Then I might have a chance of getting in Hollywood.”

“Every year, the memories I have of my father become more faint, unclear, and distant. once they were vivid and true, then they became like photographs, and now they are more like photographs of photographs.”

“Looking through some photographs I found inside a drawer,
I was taken by a photograph of you.
There were one or two I know
That you would have liked a little more,
But they didn't show your spirit quite as true.
You were turning round to see who was behind you
And I took your childish laughter by surprise,
And at the moment that my camera happened to find you
There was just a trace of sorrow in your eyes.”