“Here we are at the antipode of automatism [invention from Surrealism] and mechanism, and no less distant from the cunning way of reason. In the action of the machine, in which everything is repeated and predetermined, accident is an abrupt negation.... [the] excess of ink flowing capriciously in thin black rivulets.... this line deflected by a sudden jar, this drop of water diluting a contour – all these are the sudden invasion of the unexpected in a world where it has a right to its proper place.”

— Robert Motherwell

Motherwell is quoting here the comments of w:Henri Focillon on Japanese legends of 'accidentalism'
The Dada Painters and Poets, Schultz, Wittenborn, New York 1951, p. xxxvii
1950s

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "Here we are at the antipode of automatism [invention from Surrealism] and mechanism, and no less distant from the cunni…" by Robert Motherwell?

Robert Motherwell42

American artist 1915–1991

Related quotes

“Here are three meaningful actions we can all take on water: Use less. Pollute less. And from our backyards to our cities, make places that leave room for water in nature...”

Cynthia Barnett (1966) American journalist

Source: https://www.jou.ufl.edu/alumni-and-friends/cjc-environment-voices/cynthia-barnett/

“A decision, an action, are infallible omens of what we shall do another time, not for any vague, mystic, astrological reason but because they result from an automatic reaction that will repeat itself.”

Cesare Pavese (1908–1950) Italian poet, novelist, literary critic, and translator

This Business of Living (1935-1950)

“In actions of enthusiasm, this drawback appears: but in those lower activities, which have no higher aim than to make us more comfortable and more cowardly, in actions of cunning, actions that steal and lie, actions that divorce the speculative from the practical faculty, and put a ban on reason and sentiment, there is nothing else but drawback and negation.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

“Goethe; or, the Writer,” pp. 271-272
1850s, Representative Men (1850)

“We have had enough perpetually hearing MACHINE MACHINE MACHINE MACHINE. In the repetition of the word MACHINE, we read the modern artist's ambivalent relationship to mechanical reproduction: on the one hand, the rigorous linear order and uniform application of ink presented by the thrice-repeated type written line celebrates sterility; and on the other hand the content of the sentence itself bemoans the transformation of the industrial paradigm into an aesthetic cliché.”

El Lissitsky (1890–1941) Soviet artist, designer, photographer, teacher, typographer and architect

statement of Lissitzky, 1924; as quoted by Paul Galvez, in 'Self-Portrait of the Artist as a Monkey-Hand October', Vol. 93, (Summer, 2000), published by The MIT Press, pp. 109-137
1915 - 1925

“It is probable a true history of human events would show that a far larger proportion of our acts are the results of sudden impulses and accident, than of that reason of which we so much boast.”

James Fenimore Cooper book The Pilot: A Tale of the Sea

The Pilot: A Tale of the Sea http://www.amazon.com/The-Pilot-A-Tale-Sea/dp/1490555811 (1829); Preface <br class="br">The Pilot: A Tale of the Sea (1823)