“We went to see 'Dr No' [first James Bond film, 1962] at Fort-Second Street. It's a fantastic movie, so cool. We walked outside and somebody threw a cherry bomb right in front of us, in this big crowd. And there was blood. I saw blood on people and all over. I felt like I was bleeding all over. I saw in the paper last week that there are more people throwing them - it's just part of the scene - and hurting people. My show in Paris is to be called 'Death in America.”

—  Andy Warhol

I'll show the 'Electric-chair' pictures and the Dogs in Birmingham and car wrecks and some suicide pictures.
Source: 1963 - 1967, What Is Pop Art? Interviews with Eight Painters, Part 1 (1963), pp. 116-19

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "We went to see 'Dr No' [first James Bond film, 1962] at Fort-Second Street. It's a fantastic movie, so cool. We walked …" by Andy Warhol?
Andy Warhol photo
Andy Warhol 133
American artist 1928–1987

Related quotes

Lloyd Kaufman photo
Floyd Mayweather Jr. photo
Steven Wright photo
Daniel Abraham photo

“The second I saw those bastards coming down the street, I knew it was over for me. I’m dead. It’s just a matter of time is all.”

Daniel Abraham (1969) speculative fiction writer from the United States

“That’s always true,” Lydia said, her mind taken with other matters. “For everyone.”
The Churn (2014)

Steven Wright photo

“About five years ago, somebody showed me some web sites that had my material all over them, and I thought that was fascinating. One reason was, I'd never seen my jokes written one right after another like that. I write on drawing paper—I don't even like lines on the paper—so I have notebooks all over the place with handwritten pieces of my act in them. So to see it go by, all typed out neatly, was like, "Wow."”

Steven Wright (1955) American actor and author

And then two or three years ago, someone showed me a site, and half of it that said I wrote it, I didn't write. Recently, I saw one, and I didn't write any of it. What's disturbing is that with a few of these jokes, I wish I had thought of them. A giant amount of them, I'm embarrassed that people think I thought of them, because some are really bad.
[The Tenacity of the Cockroach: Conversations with Entertainment's Most Enduring Outsiders, Thompson, Steven, 2002, Three Rivers Press, 0609809911, September 9, 2012, http://www.avclub.com/articles/steven-wright,13796/]
Interviews

“I was called sanskaari like an abuse, just because we reduced the length of the kisses in the new James Bond film Spectre. There were jokes about a sanskaari James Bond on Twitter. If I made James Bond sanskaari I am proud of it.”

On being called sanskaari (traditionalist) and reduction of a kissing scene in the film Spectre, as quoted in " I was called 'Sankskaari' as if it was an abuse - Pahlaj Nihalani http://www.bollywoodhungama.com/celebrities/features/type/view/id/9501" Bollywood Hungama (31 December 2015)

Michelle Pfeiffer photo
Anni-Frid Lyngstad photo

“The moment on the town hall balcony was very heartfelt and I was moved to tears by the fantastic welcome from all the people in the street looking up on us where we stood. We felt like royalty at that moment, waving to them all down there.”

Anni-Frid Lyngstad (1945) Swedish female singer

What Made Australians The World's Most Feverish ABBA Fans? by Neil McMahon, published by The Sydney Morning Herald. 17 February 2017 http://www.smh.com.au/good-weekend/what-made-australians-the-worlds-most-feverish-abba-fans-20170215-gue00r.html
Sydney Morning Herald interview (2017)

“I'm about as Nordic and Germanic looking as they come. It doesn't matter whther I'm skinny or fat. I'm just that way. So, there have been dates: for instance, the date that I first met Alex Acuna, Luis Conte, Alfredo Rey, Sr., Alfredo Rey, Jr., Cachao, the Cuban bass player. I mean, all of these people. The night I met them, on a recording date, I was there with a bunch of Cubans and I walked in, and at first, before we recorded the music, they were all standing around, hanging out. And of course I wanted to join, so I went over and started joining in. Now my Spanish certainly is not street Spanish, it's book-learned Spanish. And Cubans speak a patois all their own, and I could tell, when I first was speaking there, you know, they kept saying, "Well, he's speaking our language, but he certainly doesn't sound like us; he's still an outsider. Maybe not as much an outsider as he was before." And yet, what really happens is that, by the time we start playing, then I felt like somebody gives my visa a stamp. You know, on the passport. Because at that point, suddenly I start getting smiles from people, and different things, and that's an experience which happens over and over and over.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

Radio interview, circa 1985, by Ben Sidran, as quoted in Talking Jazz With Ben Sidran, Volume 1: The Rhythm Section https://books.google.com/books?id=O3hZDQAAQBAJ&pg=PT461&lpg=PT461&dq=%22there's+no+way+you+can+cut+it+any+different%22&source=bl&ots=vkOwylF67i&sig=RdKDS4QiEbLIoTYKWEL4j103DPM&hl=en&sa=X&ved=0ahUKEwizzcm_38bRAhXF4yYKHWktCS8Q6AEIFDAA#v=onepage&q&f=false (1992, 2006, 2014)

Joseph Beuys photo

Related topics