“Today that rarely happens. Most often the songs are used as a relief. They have nothing to do with the film per say. And all look almost the same. Just replace the central characters and a step here and there…choreography remains the same in most cases. So does the beat. We have so many classical dances and folk dances in the country but nobody seems to be using them.”

— Waheeda Rehman

Quote, Grace personified: Waheeda Rehman

Adopted from Wikiquote. Last update Sept. 14, 2021. History

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Waheeda Rehman 21

Indian actress 1938

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“In those days, dances were dances and songs were songs. Film dances always had a semi-classical or folk element to them and songs were all about soul-stirring lyrics and haunting music. These days, they are more about technique and technology, often it's the camera that's dancing, the synthesiser that's singing. Not my cup of tea.”

Vyjayanthimala (1936) Indian actress, politician & dancer

Vyjayanthimala still cuts a striking figure tall

“Arre bhai…there is so much more to Indian music than those beats. I have done bhangra…nothing against it. But why do we present only that to the Indian and global audience. Punjabi language and music has become the language of the film industry unfortunately. Be it Singh is King or London Dreams or New York Beats are the same. agreed you cannot use classical or folk music in New York or Singh is King but London Dreams — it's supposed to be a musical. Music should have been the soul of it. But that is the weakest thing in the film. So much could have been done — classical music and folk music could have been used. But they didn't. They want to finish of work ASAP. Quantity, not quality has taken over.”

Waheeda Rehman (1938) Indian actress

Quote, Grace personified: Waheeda Rehman

“Well, that depends, I suppose. I heard someone once say that men dance the same way they have sex. So, if you want everyone here to think you're the kind of guy who just sits around and—"
He stood up. "Let's dance.”

Richelle Mead (1976) American writer

Source: Succubus Blues

“There are so many acting schools these days. Maybe, the new generation of actors is forgetting that acting is more emotional than mechanical. Take dancing, today's dancers are not dancing; they're just performing a drill to some beats.”

Waheeda Rehman (1938) Indian actress

Quoted in "Guru Dutt was my mentor: Waheeda".
Quote

“Almost nobody dances sober, unless they happen to be insane.”

Marcus Tullius Cicero (-106–-43 BC) Roman philosopher and statesman

“The major difference between Astaire and Kelly is a difference, not of talent or technique, but of levels of sophistication. On the face of it, Kelly looks the more sophisticated. Where Kelly has ideas, Astaire has dance steps. Where Kelly has smartly tailored, dramatically apt Comden and Green scripts, Astaire in the Thirties made do with formulas derived from nineteenth-century French Farce. But the Kelly film is no longer a dance film. It's a story film with dances, as distinguished from a dance film with a story. When Fred and Ginger go into their dance, you see it as a distinct formal entity, even if it's been elaborately built up to in the script. In a Kelly film, the plot action and the musical set pieces preserve a smooth community of high spirits, so that the pressure in a dance number will often seem too low, the dance itself plebeian or folksy in order to "match up" with the rest of the picture.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

Arlene Croce, in Croce, Arlene. The Fred Astaire and Ginger Rogers Book, W.H. Allen, London, 1974. p. 7. ISBN 0491001592.

“So long as this devil-dance does not disgust us, we cannot pretend to be civilized.”

Sarvepalli Radhakrishnan (1888–1975) Indian philosopher and statesman who was the first Vice President and the second President of India

Kalki : or The Future of Civilization (1929)
Context: War with its devastated fields and ruined cities, with its millions of dead and more millions of maimed and wounded, its broken-hearted and defiled women and its starved children bereft of their natural protection, its hate and atmosphere of lies and intrigue, is an outrage on all that is human. So long as this devil-dance does not disgust us, we cannot pretend to be civilized. It is no good preventing cruelty to animals and building hospitals for the sick and poor houses for the destitute so long as we willing to mow down masses of men by machine-guns and poison non-combatants, including the aged and the infirm, women and children — and all for what? For the glory of God and the honour of the nation!
It is quite true that we attempt to regulate war, as we cannot suppress it; but the attempt cannot succeed. For war symbolizes the spirit of strife between two opposing national units which is to be settled by force. When we allow the use of force as the only argument to put down opposition, we cannot rightly discriminate between one kind of force and another. We must put down opposition by mobilizing all the forces at our disposal. There is no real difference between a stick and a sword, or gunpowder and poison gas. So long as it is the recognized method of putting down opposition, every nation will endeavour to make its destructive weapons more and more efficient. War is its only law add the highest virtue is to win, and every nation has to tread this terrific and deadly road. To approve of warfare but criticize its methods, it has been well said is like approving of the wolf eating the lamb but criticizing the table-manners. War is war and not a game of sport to be played according to rules.

“How different each death is, and yet it leads us into the self-same country, that country which we inhabit so rarely, where we see the worthlessness of what we have long pursued and will so soon return to pursuing.”

Iris Murdoch book The Sea, the Sea

Source: The Sea, the Sea

“We are so limited, you have to use the same word for loving Rosaleen as you do for loving Coke with peanuts. Isn't that a shame we don't have many more ways to say it?”

Sue Monk Kidd book The Secret Life of Bees

Source: The Secret Life of Bees

“It was great mixing dance beats with the choir. The reaction of the classically trained choir when asked to sing on top of dance beats was great.”

Jesper Kyd (1972) musician

Recording the score for Freedom Fighters, BSOSpirit interview

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