“The worse we treat people in this country, the more delicately we talk about them.”
"Men's Women, Women's Men" (1971), p. 137
The Good Word & Other Words (1978)
On reproche aux gens de parler d’eux-mêmes. C’est pourtant le sujet qu’ils traitent le mieux.
Series I: À propos du journal des Goncourt http://fr.wikisource.org/wiki/%C3%80_propos_du_%C2%AB_journal_des_Goncourt_%C2%BB
The Literary Life (1888-1892)
On reproche aux gens de parler d’eux-mêmes. C’est pourtant le sujet qu’ils traitent le mieux.
The Literary Life (1888-1892)
“The worse we treat people in this country, the more delicately we talk about them.”
"Men's Women, Women's Men" (1971), p. 137
The Good Word & Other Words (1978)
“How people treat other people is a direct reflection of how they feel about themselves.”
Source: The Winner Stands Alone
Rejoinder when told that he couldn't talk about physics, because "nobody [at this table] knows anything about it."
Part 5: "The World of One Physicist", "Alfred Nobel's Other Mistake", p. 310.
Quoted in Handbook of Economic Growth (2005) by Philippe Aghion and Steven N. Durlauf.
Surely You're Joking, Mr. Feynman! (1985)
Colin Serjent, "Blake's 08, http://www.catalystmedia.org.uk/issues/nerve9/peter_blake.php Nerve, Autumn 2006
On producing serigraph prints to celebrate Liverpool as the 2008 European Capital of Culture.
Art
Expressed to R.K.Dhavan, quoted here [Sahu, Nandini title=The Post-colonial Space: Writing the Self and the Nation, http://books.google.com/books?id=xs_tj0tDnnwC&pg=PA59, 2007, Atlantic Publishers & Dist, 978-81-269-0777-9, 116]
Criterion Collection essay on Rashamon, excerpted from Something Like an Autobiography as translated by Audie E. Bock (1982) http://www.criterion.com/current/posts/196-akira-kurosawa-on-rashomon
Context: Human beings are unable to be honest with themselves about themselves. They cannot talk about themselves without embellishing. This script portrays such human beings — the kind who cannot survive without lies to make them feel they are better people than they really are. It even shows this sinful need for flattering falsehood going beyond the grave — even the character who dies cannot give up his lies when he speaks to the living through a medium. Egoism is a sin the human being carries with him from birth; it is the most difficult to redeem. This film is like a strange picture scroll that is unrolled and displayed by the ego. You say that you can’t understand this script at all, but that is because the human heart itself is impossible to understand. If you focus on the impossibility of truly understanding human psychology and read the script one more time, I think you will grasp the point of it.