“We reproach people for talking about themselves but it is the subject they treat best.”

On reproche aux gens de parler d’eux-mêmes. C’est pourtant le sujet qu’ils traitent le mieux.
Series I: À propos du journal des Goncourt http://fr.wikisource.org/wiki/%C3%80_propos_du_%C2%AB_journal_des_Goncourt_%C2%BB
The Literary Life (1888-1892)

Original

On reproche aux gens de parler d’eux-mêmes. C’est pourtant le sujet qu’ils traitent le mieux.

The Literary Life (1888-1892)

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "We reproach people for talking about themselves but it is the subject they treat best." by Anatole France?
Anatole France photo
Anatole France 122
French writer 1844–1924

Related quotes

“The worse we treat people in this country, the more delicately we talk about them.”

Wilfrid Sheed (1930–2011) English-American novelist and essayist

"Men's Women, Women's Men" (1971), p. 137
The Good Word & Other Words (1978)

Paulo Coelho photo
Arthur Schopenhauer photo

“A reproach can only hurt if it hits the mark. Whoever knows that he does not deserve a reproach can treat it with contempt.”

Parerga and Paralipomena (1851), Aphorisms on the Wisdom of Life, p. 383 in Oxford University Press edition of Parerga and Paralipomena: Short Philosophical Essays (1974)

Richard Feynman photo

“On the contrary, it's because somebody knows something about it that we can't talk about physics. It's the things that nobody knows anything about that we can discuss. We can talk about the weather; we can talk about social problems; we can talk about psychology; we can talk about international finance — gold transfers we can't talk about, because those are understood — so it's the subject that nobody knows anything about that we can all talk about!”

Richard Feynman (1918–1988) American theoretical physicist

Rejoinder when told that he couldn't talk about physics, because "nobody [at this table] knows anything about it."
Part 5: "The World of One Physicist", "Alfred Nobel's Other Mistake", p. 310.
Quoted in Handbook of Economic Growth (2005) by Philippe Aghion and Steven N. Durlauf.
Surely You're Joking, Mr. Feynman! (1985)

Peter Blake photo

“I can’t work with computers but I work with someone who can. We talk about what the subjects will be and then I get a load of images about Liverpool. We then scan them and put them on a disk and then we manipulate them on the computer. I am treating them as posters. They are prints but I want them to look like posters.”

Peter Blake (1932) British artist

Colin Serjent, "Blake's 08, http://www.catalystmedia.org.uk/issues/nerve9/peter_blake.php Nerve, Autumn 2006
On producing serigraph prints to celebrate Liverpool as the 2008 European Capital of Culture.
Art

Girish Raghunath Karnad photo

“The subject that interests most writers is, of course, themselves and it is easy subject to talk about. But you know it is always easier if you are a poet or a novelist because you are used to talking in your voice. You suspend your whole life talking as writer directly to the audience. The problem is being playwright is that everything that you write is for someone else to say.”

Girish Raghunath Karnad (1938–2019) Indian playwright

Expressed to R.K.Dhavan, quoted here [Sahu, Nandini title=The Post-colonial Space: Writing the Self and the Nation, http://books.google.com/books?id=xs_tj0tDnnwC&pg=PA59, 2007, Atlantic Publishers & Dist, 978-81-269-0777-9, 116]

Akira Kurosawa photo

“Human beings are unable to be honest with themselves about themselves. They cannot talk about themselves without embellishing.”

Akira Kurosawa (1910–1998) Japanese film maker

Criterion Collection essay on Rashamon, excerpted from Something Like an Autobiography as translated by Audie E. Bock (1982) http://www.criterion.com/current/posts/196-akira-kurosawa-on-rashomon
Context: Human beings are unable to be honest with themselves about themselves. They cannot talk about themselves without embellishing. This script portrays such human beings — the kind who cannot survive without lies to make them feel they are better people than they really are. It even shows this sinful need for flattering falsehood going beyond the grave — even the character who dies cannot give up his lies when he speaks to the living through a medium. Egoism is a sin the human being carries with him from birth; it is the most difficult to redeem. This film is like a strange picture scroll that is unrolled and displayed by the ego. You say that you can’t understand this script at all, but that is because the human heart itself is impossible to understand. If you focus on the impossibility of truly understanding human psychology and read the script one more time, I think you will grasp the point of it.

Marvin J. Ashton photo

Related topics