“There neither exists nor can exist any work more thoroughly dignified — more supremely noble than this very poem — this poem per se — this poem which is a poem and nothing more — this poem written solely for the poem's sake.”

— Edgar Allan Poe

The Poetic Principle (1850)

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Edgar Allan Poe 126

American author, poet, editor and literary critic 1809–1849

Lucha Corpi (1945)

On how she favors a musical quality to her poetry in the book Truthtellers of the Times: Interviews with Contemporary Women Poets https://books.google.com/books?id=LkVO9mmfwZYC&pg=PA23&lpg=PA23&dq

“The person who wrote the poem can tell you more about the poem than anyone else.”

David Yezzi (1966) American poet

Interview with Ernest Hibert (2006)

“Who says my poems are poems?
My poems are not poems.
When you know that my poems are not poems,
Then we can speak of poetry.”

Ryōkan (1758–1831) Japanese Buddhist monk

Variant translation:
Who says my poems are poems?
My poems are not poems.
After you know my poems are not poems,
Then we can begin to discuss poetry!
"Zen Poetics of Ryokan" in Simply Haiku: A Quarterly Journal of Japanese Short Form Poetry (Summer 2006) http://www.hermitary.com/articles/ryokan_poetics.html
Dewdrops on a Lotus Leaf : Zen Poems of Ryokan (1993)

“The poet writes his poem for its own sake, for the sake of that order of things in which the poem takes the place that has awaited it.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“The Obscurity of the Poet”, p. 24
Poetry and the Age (1953)
Context: People always ask: For whom does the poet write? He needs only to answer, For whom do you do good? Are you kind to your daughter because in the end someone will pay you for being?... The poet writes his poem for its own sake, for the sake of that order of things in which the poem takes the place that has awaited it.

“The poet is in the end probably more afraid of the dogmatist who wants to extract the message from the poem and throw the poem away than he is of the sentimentalist who says, "Oh, just let me enjoy the poem."”

Robert Penn Warren (1905–1989) American poet, novelist, and literary critic

Lecture, "The Themes of Robert Frost" (1947)

“The statement of ideas in a poem may have to do with logic. More profoundly, it may be identified with the emotional progression of the poem, in terms of the music and images, so that the poem is alive throughout.
Another, more fundamental statement in poetry, is made through the images themselves — those declarations, evocative, exact, and musical, which move through time and are the actions of a poem.”

Muriel Rukeyser (1913–1980) poet and political activist

Source: The Life of Poetry (1949), p. 31

“Poem me no poems.”

Rose Macaulay (1881–1958) English novelist and writer

Quoted in Poetry Review, Autumn 1963

“It is better to have the child in the chimney corner moved by what happens in the poem, in spite of his ignorance of its real meaning, than to have the poem a puzzle to which that meaning is the only key. Still, complicated subjects make complicated poems, and some of the best poems can move only the best readers; this is one more question of curves of normal distribution. I have tried to make my poems plain, and most of them are plain enough; but I wish that they were more difficult because I had known more.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

"Answers to Questions," from Mid-Century American Poets, edited by John Ciardi, 1950 [p. 170]
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

“Even more than in a poem, it is the aphorism that the word is god.”

Emil M. Cioran (1911–1995) Romanian philosopher and essayist

Drawn and Quartered (1983)

“This poem has been called obscure. I refuse to believe that it is obscurer than pity, violence, or suffering. But being a poem, not a lifetime, it is more compressed.”

Dylan Thomas (1914–1953) Welsh poet and writer

“There neither exists nor can exist any work more thoroughly dignified — more supremely noble than this very poem — this poem per se — this poem which is a poem and nothing more — this poem written solely for the poem's sake.”

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