“If now I…say "Stealing money is wrong," I produce a sentence which has no factual meaning — that is, expresses no proposition which can be either true or false. It is as if I had written "Stealing money!!" — where the shape and thickness of the exclamation marks show, by a suitable convention, that a special sort of moral disapproval is the feeling which is being expressed.”

Source: Tell-All

The Economic Tendency of Freethought (1890)
Context: A man won't steal, ordinarily, unless that which he steals is something he cannot as easily get without stealing; in liberty the cost of stealing would involve greater difficulties than producing, and consequently he would not be apt to steal. But suppose a man steals. Today you go to a representative of that power which has robbed you of the earth, of the right of free contract of the means of exchange, taxes you for everything you eat or wear (the meanest form of robbery), — you go to him for redress from a thief!

Variant: Lawyers can steal more money with a briefcase than a thousand men with guns and masks."

-Don Vito Corleone
Source: The Godfather

Space, Time and Gravitation (1920)

ibid
The Rahotep series, Book 2: Tutankhamun
Context: Be careful, Rahotep, I know these writers, they say “borrow” when they mean “steal.” You will soon read your words coming back to you on some privately circulated scroll of new verse.

Burden of Dreams (1982)
Context: Taking a close look at what is around us, there is some sort of a harmony. It is the harmony of overwhelming and collective murder. And we in comparison to the articulate vileness and baseness and obscenity of all this jungle, we in comparison to that enormous articulation, we only sound and look like badly pronounced and half-finished sentences out of a stupid suburban novel, a cheap novel. And we have to become humble in front of this overwhelming misery and overwhelming fornication, overwhelming growth, and overwhelming lack of order. Even the stars up here in the sky look like a mess. There is no harmony in the universe. We have to get acquainted to this idea that there is no harmony as we have conceived it. But when I say this all full of admiration for the jungle. It is not that I hate it, I love it, I love it very much, but I love it against my better judgment.

NAID '95 http://www.club.cc.cmu.edu/pub/scene.org/parties/1995/naid95/misc/dn-naid_089.txt

As quoted in Man Ray : The Rigour of Imagination (1977) by Arturo Schwarz, p. 10 <!-- also in Man Ray : Photographs and Objects (1980) by Birmingham Museum of Art -->
Variant: I paint what cannot be photographed, that which comes from the imagination or from dreams, or from an unconscious drive. I photograph the things that I do not wish to paint, the things which already have an existence.
As quoted in an interview "Man Ray: Photographer" published in Camera (1981) edited by Philippe Sers <!-- and in The Columbia Dictionary of Quotations (1993) edited by Robert Andrews, p. 686 -->
Context: l paint what cannot be photographed, and l photograph what l do not wish to paint. lf it is a portrait that interests me, a face, or a nude, I will use my camera. It is quicker than making a drawing or a painting. But if it is something I cannot photograph, like a dream or a subconscious impulse I have to resort to drawing or painting. To express what I feel I use the medium best suited to express that idea, which is also always the most economical one. l am not at all interested in being consistent as a painter, and object-maker or a photographer. I can use several different techniques, like the old masters who were engineers, musicians and poets at the same time. I have never shared the contempt shown by painters for photography: there is no competition involved, painting and photography are two media engaged in different paths. There is no conflict between the two.