Prologue as translated in Readings in European History, Vol. I (1904) edited by James Harvey Robinson, p. 450
Sic et Non (1120)
Context: There are many seeming contradictions and even obscurities in the innumerable writings of the church fathers. Our respect for their authority should not stand in the way of an effort on our part to come at the truth. The obscurity and contradictions in ancient writings may be explained upon many grounds, and may be discussed without impugning the good faith and insight of the fathers. A writer may use different terms to mean the same thing, in order to avoid a monotonous repetition of the same word. Common, vague words may be employed in order that the common people may understand; and sometimes a writer sacrifices perfect accuracy in the interest of a clear general statement. Poetical, figurative language is often obscure and vague.
Not infrequently apocryphal works are attributed to the saints. Then, even the best authors often introduce the erroneous views of others and leave the reader to distinguish between the true and the false. Sometimes, as Augustine confesses in his own case, the fathers ventured to rely upon the opinions of others.
“Since eighteenth century writers employed reason to discredit Christian dogma, a "rationalist" in common parlance came to mean an "unbeliever"… But this use of the word is unfortunate since it obscures the fact that reason may be employed to support faith as well as to destroy it.”
The Heavenly City of the Eighteenth-century Philosophers (1932)
Help us to complete the source, original and additional information
Carl L. Becker 25
American historian 1873–1945Related quotes
Letter to Thomas Müntzer (1524), as cited in William R. Estep, The Anabaptist Story (1996), pp. 41-42
Quote s
Source: undated quotes, Renoir – his life and work, 1975, p. 175 : Renoir's remarks to Vollard, referring to the delicate painting-style of Berthe Morisot's, the only French woman-artist of Paris Impressionism.
“He only employs his passion who can make no use of his reason.”
Source: Passionate Declarations: Essays on War and Justice
The Method of Teaching and Studying the Belles Lettres, Vol. I, The Third Edition (1742), Book II, Ch. 2, Article 3: 'Of the different sorts of poems', p. 278
Kant's Inaugural Dissertation (1770), Section III On The Principles Of The Form Of The Sensible World