1960s, Freedom From The Known (1969)
Context: Violence is not merely killing another. It is violence when we use a sharp word, when we make a gesture to brush away a person, when we obey because there is fear. So violence isn't merely organized butchery in the name of God, in the name of society or country. Violence is much more subtle, much deeper, and we are inquiring into the very depths of violence.
When you call yourself an Indian or a Muslim or a Christian or a European, or anything else, you are being violent. Do you see why it is violent? Because you are separating yourself from the rest of mankind. When you separate yourself by belief, by nationality, by tradition, it breeds violence. So a man who is seeking to understand violence does not belong to any country, to any religion, to any political party or partial system; he is concerned with the total understanding of mankind.
“When we speak, in gestures or signs, we fashion a real object in the world; the gesture is seen, the words and the song are heard. The arts are simply a kind of writing, which, in one way or another, fixes words or gestures, and gives body to the invisible.”
Introduction
The Gods (1934)
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Alain 35
French philosopher 1868–1951Related quotes
“But my body was like a harp and her words and gestures were like fingers running upon the wires.”
"Araby"
Dubliners (1914)
[I] Signs, 1.2.2
Semiotics and the Philosophy of Language (1984)
Context: The sign is a gesture produced with the intention of communicating, that is, in order to transmit one's representation or inner state to another being. The existence of a certain rule (a code) enabling both the sender and the addressee to understand the manifestation in the same way must, of course, be presupposed if the transmission is to be successful; in this sense, navy flags, street signs, signboards, trademarks, labels, emblems, coats of arms, and letters are taken to be signs.<!-- Dictionaries and cultivated language must at this point agree and take as signs also words, that is, the elements of verbal language. In all the cases examined here, the relationship between the and that for which it stands seems to be less adventurous than for the first category.
“Not one word, not one gesture of yours shall I, could I, ever forget…”
Source: Anna Karenina
“Gestures, in love, are incomparably more attractive, effective and valuable than words.”
Quote in: 'An interview with Helen Frankenthaler', by Geldzahler, The New York school – the painters & sculptors of the fifties Irving Sandler, Harper & Row, Publishers, 1978, p. 67
Frankenthaler explains the difference between gesture and signature in her painting
1970s - 1980s