“On one side is the gigantic printing press, a miracle of fine articulation, which turns out the tabloid newspaper: on the other side are the contents of the tabloid itself, symbolically recording the most crude and elementary states of emotion.”

Noli me Tangere

Melody Maker, August 1967
Music

Books, Confessions of a Conjuror (2010)

Source: The Courage to Create (1975), Ch. 4 : Creativity and the Encounter, p. 91
Context: Symbol and myth do bring into awareness infantile, archaic dreads and similar primitive psychic content. This is their regressive aspect. But they also bring out new meaning, new forms, and disclose a reality that was literally not present before, a reality that is not merely subjective but has a second pole which is outside ourselves. This is the progressive side of symbol and myth. This aspect points ahead. It is integrative. It is a progressive revealing of structure in our relation to nature and our own existence, as the French philosopher Paul Ricoeur so well states. It is a road to universals beyond discrete personal experience.

murmured one of the somber soldiers.
The first man continued. "They'll say those things to us by way of paying us with glory, and to pay themselves, too, for what they haven't done. But military glory — it isn't even true for us common soldiers. It's for some, but outside those elect the soldier's glory is a lie, like every other fine-looking thing in war. In reality, the soldier's sacrifice is obscurely concealed. The multitudes that make up the waves of attack have no reward. They run to hurl themselves into a frightful inglorious nothing. You cannot even heap up their names, their poor little names of nobodies."
Under Fire (1916), Ch. 24 - The Dawn

Letter Nine (4 November 1904)
Letters to a Young Poet (1934)
Context: All feelings that concentrate you and lift you up are pure; only that feeling is impure which grasps just one side of your being and thus distorts you. Everything you can think of as you face your childhood, is good. Everything that makes more of you than you have ever been, even in your best hours, is right. Every intensification is good, if it is in your entire blood, if it isn't intoxication or muddiness, but joy which you can see into, clear to the bottom.

On Truth and Lie in an Extra-Moral Sense (1873)
Context: There are ages in which the rational man and the intuitive man stand side by side, the one in fear of intuition, the other with scorn for abstraction. The latter is just as irrational as the former is inartistic. They both desire to rule over life: the former, by knowing how to meet his principle needs by means of foresight, prudence, and regularity; the latter, by disregarding these needs and, as an "overjoyed hero," counting as real only that life which has been disguised as illusion and beauty.

Grundrisse (1857/58)
Source: Introduction, p. 31.

Mind makes up the soul, or better, the "animus" of woman, and just as the anima of a man consists of inferior relatedness, full of affect, so the animus of woman consists of inferior judgments, or better, opinions.
The Secret of the Golden Flower (1931) Commentary by C.G.Jung in CW 13: Alchemical Studies. P. 60