“The Lost Music was his way of talking about the way he believed that old wives' tales and dance tunes and folktales were just the tangled echoes of something that's not quite of this world … something we all knew once, but have forgotten since.”
Part One: The Hidden People, "The Quarrlsome Piper" p. 19
The Little Country (1991)
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Charles de Lint 53
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Vitaly Komar, Aleksandr Melamid, JoAnn Wypijewski (1997). Painting by Numbers: Komar and Melamid's Scientific Guide to Art p. 16

"Auctorial Induction"
The Certain Hour (1916)
Context: I have made at worst some neat, precise and joyous little tales which prevaricate tenderly about the universe and veil the pettiness of human nature with screens of verbal jewelwork. It is not the actual world they tell about, but a vastly superior place where the Dream is realized and everything which in youth we knew was possible comes true. It is a world we have all glimpsed, just once, and have not ever entered, and have not ever forgotten. So people like my little tales.... Do they induce delusions? Oh, well, you must give people what they want, and literature is a vast bazaar where customers come to purchase everything except mirrors.

“We've all lost something along the way.”
Source: "Why Do I Love These People?": Understanding, Surviving, and Creating Your Own Family

Jimmy Carr and Lucy Greeves (September 21, 2006) Only Joking: What's So Funny About Making People Laugh?, Gotham, ISBN 1592402356, p. 3.

Heydrich recited this, one of his father's operas, on his deathbed during one of Himmler's visits on 2 June 1941.
Source: [Lehrer, Steven, Steven Lehrer, 2000, 86, Wannsee House and the Holocaust, McFarland, Jefferson, NC, 978-0-7864-0792-7, harv]