Gustav Mahler, page 78. Originally written for a volume dedicated to Mahler edited by Paul Stephan, Munich 1910.
Recollections and Reflections
“The historical importance of the Carracci is extraordinary; the history of the whole of modern ‘church art’ begins with them.”
Source: The Social History of Art', Volume II. Renaissance, Mannerism, Baroque, 1999, Chapter 9. The Baroque of the Catholic Courts
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Arnold Hauser 34
Hungarian art historian 1892–1978Related quotes
Don’t cry for her, Vegas, Las Vegas Sun, 2008-11-07 http://www.lasvegassun.com/news/2008/nov/07/dont-cry-her-vegas/,
Madonna Onstage in San Diego on election night, congratulated President-elect Barack Obama before a giant projected backdrop of an Obama campaign poster that read, “WE WON.” It ended with Madonna getting the crowd to chant “We are one!”
Part IV, Chapter VI
Les voix du silence [Voices of Silence] (1951)
Source: Society: A Complex Adaptive System--Essays in Social Theory, (1998), p. 186.
Source: Kritik der zynischen Vernunft [Critique of Cynical Reason] (1983), p. xxviii
Bk. IX, ch. 1
War and Peace (1865–1867; 1869)
Context: In historical events great men — so-called — are but labels serving to give a name to the event, and like labels they have the least possible connection with the event itself. Every action of theirs, that seems to them an act of their own free will, is in an historical sense not free at all, but in bondage to the whole course of previous history, and predestined from all eternity.