“Legitimacy means more than a grudging acceptance of the inevitable.3 The word suggests at least confidence and respect and, at times, even warmth and affection.”

Spicer (1997) explains: "Boulding (1989) referred to three independent systems from which power is exercised in our society: threat, production and exchange, and integrative. The threat system is one in which power is accomplished through coercion in its many guises, often including asymmetrical one-way persuasive communication exchanges. The production and exchange system speaks to the economic system, of which public relations is certainly a part. And, finally, the integrative system.
Source: 1980s, Three Faces of Power, 1989, p. 670-671 as cited in: Christopher Spicer (1997) Organizational Public Relations: A Political Perspective. p. 248

Source: Walden

Source: The Curse of Chalion

Source: Demon Princes (1964-1981), The Face (1979), Chapter 1 (p. 12)

"Iraq and the Roots of War," California Freedom (June 2007).

Source: Kindergarten Chats (1918), Ch. 10 : A Roman Temple
Context: Taste is one of the weaker words in our language. It means a little less than something, a little more than nothing; certainly it conveys no suggestion of potency. It savors of accomplishment, in the fashionable sense, not of power to accomplish in the creative sense. It expresses a familiarity with what is au courant among persons of so-called culture, of so-called good form. It is essentially a second-hand word, and can have no place in the working vocabulary of those who demand thought and action at first hand. To say that a thing is tasty or tasteful is, practically, to say nothing at all.

Novalis (1829)
Context: When we speak of the aim and Art observable in Shakespeare's works, we must not forget that Art belongs to Nature; that it is, so to speak, self-viewing, self-imitating, self-fashioning Nature. The Art of a well-developed genius is far different from the Artfulness of the Understanding, of the merely reasoning mind. Shakspeare was no calculator, no learned thinker; he was a mighty, many-gifted soul, whose feelings and works, like products of Nature, bear the stamp of the same spirit; and in which the last and deepest of observers will still find new harmonies with the infinite structure of the Universe; concurrences with later ideas, affinities with the higher powers and senses of man. They are emblematic, have many meanings, are simple and inexhaustible, like products of Nature; and nothing more unsuitable could be said of them than that they are works of Art, in that narrow mechanical acceptation of the word.