“People will keep on taking them for theorists, when all they wanted was to paint in gay, bright colours, like the old masters.”

— Pierre-Auguste Renoir

Source: undated quotes, Renoir – his life and work, 1975, p. 64 : Renoir's remark to Vollard referring to the Impressionist artists's Monet, Sisley and Pissarro.

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Pierre-Auguste Renoir 44

French painter and sculptor 1841–1919

Robert A. Hall (1946) American politician

I'm Tired (February 19, 2009)

“Companies think that they are modern because they have painted their walls in a bright colour or they allow people to bring their dogs to work. This is silly and millennial-washing. The idea is to bring in the mature generation and get them to mentor the co-work with the younger generation from a distance.”

Ricardo Semler (1959) Brazilian businessman

Business Report: "Q&A: A rebel with a cause" https://www.iol.co.za/business-report/economy/q-and-a-a-rebel-with-a-cause-15981318 (14 July 2018)

“Begin by drawing and painting like the old masters. After that do as you see fit - you will always be respected.”

Salvador Dalí (1904–1989) Spanish artist

Source: Quotes of Salvador Dali, 1961 - 1970, Diary of a Genius (1964), p. 82

“Personally I would like to have pupils, a studio, pass on my love to them, work with them, without teaching them anything... A convent, a monastery, a phalanstery of painting where one could train together.... but no program, no instruction in painting.... drawing is still alright, it doesn't count, but painting – the way to learn is to look at the masters, above all at nature, and to watch other people painting..”

Paul Cézanne (1839–1906) French painter

Source: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 124, in: 'What I know or have seen of his life'

“I wanted to paint a picture some day that people would stand before and forget that it was made of paint. I wanted it to creep into them like a bar of music and mushroom there like a soft bullet.”

O. Henry (1862–1910) American short story writer

Source: The Complete Works of O. Henry

“In Europe at the beginning of the twentieth century, the Fauves – Matisse, Derain – were using bright colours in their full intensity, which continued with Kandinsky, Malevich, Kirchner, Léger and Mondrian. They employed all the colours of the spectrum. In the 1940's and 1950's the majority of the Abstract Expressionists in New York rebelled against this European use of colour and mostly used mixed colours. That is, the Abstract Expressionists did use bright colours sometimes, but they tended to paint wet-on-wet, which muddled their hues. As Matisse would say, a small patch of any one colour is far less intense than a large one of the same colour. I returned in 1954 [from Paris] to New York and showed paintings done in France at the Betty Parsons Gallery in 1956 with bright colours that wouldn’t really be used until the Pop artists in the 1960's. My idea of using colour at its full intensity, which began with Colors for a Large Wall, hasn’t changed in the 60 years that I’ve been painting.”

Ellsworth Kelly (1923–2015) American painter, sculptor, and printmaker

1981 - 2008
Source: 'Colour Chart I', interview with Christoph Grunenberg, 1 May 2009; 'Sixty years at full intensity', Tate 2009

“Some people think I’m gay when I meet them, which I think is awesome. It’s always good to keep them guessing. I don’t go on any blogs or chats or anything, but my friends are demons for them, and apparently someone said: ‘Daniel Radcliffe is gay. He’s got a gay face!’ I really don’t know what a gay face is!”

Daniel Radcliffe (1989) English actor

Daniel doesn’t mind the whisperings of people questioning his sexuality http://anythinghollywood.com/2009/07/daniel-radcliffe-likes-gay-rumors/

“Lighten your palette [his remark to Cézanne circa 1873, to encourage Cézanne to use bright colors], paint only with the three primary colours and their derivatives.”

Camille Pissarro (1830–1903) French painter

As quoted in Cezanne his Life and Art, Jack Linssey, – Evelyn, Adams and Mackay, London, 1969, p. 154-55
Pissarro 'guided' the wild Cézanne for a few years in painting landscape; for a decade or so in the mid-19th century they often worked side by side and influenced each other
1870's

“One sunny spring day I heard the music coming down Karl Johan [street] and it filled me with joy. The spring, the sun, the music, all blended together to make me shiver with pleasure. The music added colour to the colours. I painted the picture [his painting 'Music on Karl Johan'] allowing the colours to reverberate with the rhythm of the music. I painted the colours as I saw them at that moment.”

Edvard Munch (1863–1944) Norwegian painter and printmaker

Quote in 'Livsfrisen tilblivelse', Blomqvist, Oslo 1929, p. 12
1896 - 1930

“And, when the bulbs do flash,
as bright as morning,
the crowd keeps on gathering
like an electric storm.”

Joanna Newsom (1982) American musician

Esme
Have One On Me (2010)

“People will keep on taking them for theorists, when all they wanted was to paint in gay, bright colours, like the old masters.”

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Pierre-Auguste Renoir 44

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