Sergei Diaghilev, p. 172
Essays and reviews, Cultural Amnesia: Notes in the Margin of My Time (2007)
“One is also reminded of how in art the tortoise so often overtakes the hare. Not all, but too many of the best writers, composers, and artists of our time begin to be acclaimed only when they no longer have anything to say and take to performing instead of stating. This is how they first become accessible to broad taste, which is lazy taste, and by the same token to the processes of publicity and consecration. As long as they were trammeled up in the urgency of getting things said they were too difficult, too "controversial."”
On Hans Hofmann, in "Hofmann", in Georges (Fall 1961)
1960s
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Clement Greenberg 17
American writer and artist 1909–1994Related quotes

72
Essays in Idleness (1967 Columbia University Press, Trns: Donald Keene)

Source: Simone Weil : An Anthology (1986), Human Personality (1943), p. 57

Games for Actors and non-Actors (1992)
Context: Wouldn’t it be wonderful to see a dance piece where the dancers danced in the first act and in the second showed the audience how to dance? Wouldn’t it be wonderful to see a musical where in the first act the actors sang and in the second we all sang together?... This is... how artists should be—we should be creators and also teach the public how to be creators, how to make art, so that we may all use that art together.

Source: Part II : Practical Pictorial Photography, p. 2

The Method of Teaching and Studying the Belles Lettres, Vol. I, The Third Edition (1742), Part II, Ch. 2: 'General Reflections upon what is called good Taste', pp. 45–46