The Amulet, 1831 (1830), The Legacy
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“And ne'er did Grecian chisel trace
A Nymph, a Naiad, or a Grace
Of finer form or lovelier face.”
Canto I, stanza 18.
The Lady of the Lake http://www.gutenberg.org/etext/3011 (1810)
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Walter Scott 151
Scottish historical novelist, playwright, and poet 1771–1832Related quotes
The Glory of the Day Was in Her Face, st. 1.
Fifty Years and Other Poems (1917)
Kéramos http://www.worldwideschool.org/library/books/lit/poetry/TheCompletePoeticalWorksofHenryWadsworthLongfellow/chap22.html, st. 29.
Poetical Portrait I
The Venetian Bracelet (1829)
St. 4
The Tower (1928), Sailing to Byzantium http://poetry.poetryx.com/poems/1575/
Context: Once out of nature I shall never take
My bodily form from any natural thing,
But such a form as Grecian goldsmiths make
Of hammered gold and gold enamelling
To keep a drowsy Emperor awake;
Or set upon a golden bough to sing
To lords and ladies of Byzantium
Of what is past, or passing, or to come.
Source: Table Talk (1782), Line 690.
“It is not given me to trace
The lovely laughter of that face”
Young Adventure (1918), The Quality of Courage
Context: It is not given me to trace
The lovely laughter of that face,
Like a clear brook most full of light,
Or olives swaying on a height,
So silver they have wings, almost;
Like a great word once known and lost
And meaning all things. Nor her voice
A happy sound where larks rejoice,
Her body, that great loveliness,
The tender fashion of her dress,
I may not paint them.
These I see,
Blazing through all eternity,
A fire-winged sign, a glorious tree!