Source: "Why Are They Laughing In Those Cages?", in Travels in Hyperreality : Essays (1986), Ch. III : The Gods of the Underworld, p. 122
Context: The real hero is always a hero by mistake; he dreams of being an honest coward like everybody else. If it had been possible he would have settled the matter otherwise, and without bloodshed.
Context: The real hero is always a hero by mistake; he dreams of being an honest coward like everybody else. If it had been possible he would have settled the matter otherwise, and without bloodshed. He doesn't boast of his own death or of others'. But he does not repent. He suffers and keeps his mouth shut; if anything, others then exploit him, making him a myth, while he, the man worthy of esteem, was only a poor creature who reacted with dignity and courage in an event bigger than he was.
“Military mythology has to pretend that real men are in the majority; cowards can never be allowed to feel that they might be the normal ones and the heroes are insane.”
"Anxiety"
Daddy, We Hardly Knew You (1989)
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Germaine Greer 73
Australian feminist author 1939Related quotes
“I'm talkin' about you. Stop pretending you're normal. You're insane. Make that work for you.”
Source: Agnes and the Hitman
“At a time when many men were cowards, he was a true hero to the West.”
Otto von Habsburg, quoted in The Independent, Sunday 17 October 2010
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"Home Schooling and Indian Lore"
An Autobiographical Novel (1991)
“The passage of the mythological hero”
Source: The Hero with a Thousand Faces (1949), Chapter 2
Context: The passage of the mythological hero may be overground, incidentally; fundamentally it is inward—into depths where obscure resistances are overcome, and long lost, forgotten powers are revivified, to be made available for the transfiguration of the world.... Something of the light that blazes invisible within the abysses of its normally opaque materiality breaks forth, with an increasing uproar. The dreadful mutilations are then seen as shadows, only, of an immanent, imperishable eternity; time yields to glory; and the world sings with the prodigious, angelic, but perhaps finally monotonous, siren music of the spheres. Like happy families, the myths and the worlds redeemed are all alike.
“The first False Issue one normally encounters is the claim that it has 'no real power'.”
1990s, The Monarchy: A Critique of Britain's Favourite Fetish
Context: The first False Issue one normally encounters is the claim that it has 'no real power'. One never quite knows what 'real' is intended to mean here, but the conventions of the False Issue lead one to guess that the word is doing duty for 'formal'. Thus is the red herring introduced. A moment later, the same speaker is telling another listener of all the good things that monarchy is a 'force' for. These good things invariably turn out to be connected to power. They are things like 'stability', 'unity', 'national cohesion', 'continuity' and other things for which powerless people would find it difficult to be a force. Edmund Wilson would have had little trouble noticing, furthermore, that all the above good things are keywords for conservative and establishment values.
Speech to the Third Army (1944)
Context: Every man is scared in his first battle. If he says he's not, he's a liar. Some men are cowards but they fight the same as the brave men or they get the hell slammed out of them watching men fight who are just as scared as they are. The real hero is the man who fights even though he is scared. Some men get over their fright in a minute under fire. For some, it takes an hour. For some, it takes days. But a real man will never let his fear of death overpower his honor, his sense of duty to his country, and his innate manhood. Battle is the most magnificent competition in which a human being can indulge. It brings out all that is best and it removes all that is base.