
Variant: Down, down, down into the darkness of the grave
Gently they go, the beautiful, the tender, the kind;
Quietly they go, the intelligent, the witty, the brave.
I know. But I do not approve. And I am not resigned
Source: Sylvia cartoon strip, pp. 216-217
Variant: Down, down, down into the darkness of the grave
Gently they go, the beautiful, the tender, the kind;
Quietly they go, the intelligent, the witty, the brave.
I know. But I do not approve. And I am not resigned
The Story of the Ballad of the Devil's Backbone Tavern.
Near Truths and Hotel Rooms (2003)
Context: (Spoken) You get out in the desert and there's no signs. And of course it was just me and all my friends, it was all guys in the car, so we drove about another two and a half hours before we ever pulled over and asked anybody where we was. And we were on this thing called the Devil's Backbone Highway, right, so we finally pull into this place uniquely named "The Devil's Backbone Tavern." We go in, and all the guys say I gotta go in, you know. And so I go in there, and it's one of them bars, like everyone's drinking beer and there are like, say, twenty people in there and they have maybe, say, seventeen teeth total in the whole place. And I'm not a good fighter, or very good at protecting myself at all, you know! And I thought, well this could - this may not work out. So I saw behind the bar there was this one older woman; she looked like she was in her eighties and she kinda hunched over like I remember my grandma started to do, she kinda, she had curly white hair, and she's all... I thought, well, I could take her...
Interview, 19 May 2005, about his book, Speight of Violence (coauthored with two others).
http://www.entrepreneur.com/article/234222.
On how she felt that her poetic topics were unconventional when compared to other poetry submissions in “ The young ‘Instapoet’ Rupi Kaur: from social media star to bestselling writer” https://www.theguardian.com/books/2017/may/27/rupi-kaur-i-dont-fit-age-race-class-of-bestselling-poet-milk-and-honey in The Guardian (2017 May 27)