“The weight and concentration of the poems fall upon things (and those great things, animals and people), in their tough, laconic, un-get-pastable plainness: they have kept the stolid and dangerous inertia of the objects of the sagas—the sword that snaps, the man looking at his lopped-off leg and saying, “That was a good stroke.””

“Freud to Paul: The Stages of Auden’s Ideology”, p. 155
The Third Book of Criticism (1969)

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Randall Jarrell215

poet, critic, novelist, essayist 1914–1965

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Context: Technology is blamed for a lot of this loneliness, since the loneliness is certainly associated with the newer technological devices—TV, jets, freeways and so on—but I hope it's been made plain that the real evil isn't the objects of technology but the tendency of technology to isolate people into lonely attitudes of objectivity. It's the objectivity, the dualistic way of looking at things underlying technology, that produces the evil. That's why I went to so much trouble to show how technology could be used to destroy the evil. A person who knows how to fix motorcycles—with Quality—is less likely to run short of friends than one who doesn't. And they aren't going to see him as some kind of object either. Quality destroys objectivity every time.

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Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“To the Laodiceans”, p. 21
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Variant: [Robert] Frost says in a piece of homely doggerel that he has hoped wisdom could be not only Attic but Laconic, Boeotian even—“at least not systematic”; but how systematically Frostian the worst of his later poems are! His good poems are the best refutation of, the most damning comment on, his bad: his Complete Poems have the air of being able to educate any faithful reader into tearing out a third of the pages, reading a third, and practically wearing out the rest.

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