
“A fool and his words are soon parted; a man of genius and his money.”
On Reserve
1830s, The American Scholar http://www.emersoncentral.com/amscholar.htm (1837)
“A fool and his words are soon parted; a man of genius and his money.”
On Reserve
Awakening : Conversations with the Masters (2003), p. 24
Context: The genius of a composer is found in the notes of his music; but analyzing the notes will not reveal his genius. The poet's greatness is contained in his words; yet the study of his words will not disclose his inspiration. God reveals himself in creation; but scrutinize creation as minutely as you wish, you will not find God, any more than you will find the soul through careful examination of your body.
“Aeschylus had a clear eye for the commonest things. His genius was only an enlarged common sense.”
January 29, 1840
Journals (1838-1859)
Context: Aeschylus had a clear eye for the commonest things. His genius was only an enlarged common sense. He adverts with chaste severity to all natural facts. His sublimity is Greek sincerity and simpleness, naked wonder which mythology had not helped to explain... Whatever the common eye sees at all and expresses as best it may, he sees uncommonly and describes with rare completeness. The multitude that thronged the theatre could no doubt go along with him to the end... The social condition of genius is the same in all ages. Aeschylus was undoubtedly alone and without sympathy in his simple reverence for the mystery of the universe.
Source: Introduction to General Systems Thinking, 1975, p. 12; Cited in: Nawaz Sharif, Pakorn Adulbhan (1978) Systems models for decision making. p. 38
1840s, Past and Present (1843)
Le génie enfante, le goût conserve. Le goût est le bon sens du génie; sans le goût, le génie n'est qu'une sublime folie.
François-René de Chateaubriand, in "Essai sur la littérature anglaise (1836): Modèles classiques http://visualiseur.bnf.fr/CadresFenetre?O=NUMM-101390&M=tdm.
Misattributed
“Like all young men I set out to be a genius, but mercifully laughter intervened.”
The Alexandria Quartet (1957–1960), Clea (1960)