“To speak of joy and to sing of it, borne on
The shoulders of joyous men, to feel the heart
That is the common, the bravest fundament, This is a facile exercise”

Source: Redwall

Section 1.16 <!-- p. 49 -->
The Crosswicks Journal, A Circle of Quiet (1972)
Context: When a child who has been conceived in love is born to a man and a woman, the joy of that birth sings throughout the universe. The joy of writing or painting is much the same, and the insemination comes not from the artist himself but from his relationship with those he loves, with the whole world.
All real art is, in its true sense, religious; it is a religious impulse; there is not such thing as a non-religious subject.

Source: The Tin Flute (1945), P. 177

"Julia" (1968); these lines were adapted from lines of Sand and Foam (1926) by Khalil Gibran: "When life does not find a singer to sing her heart she produces a philosopher to speak her mind."
Lyrics

Relationships

Quoted on Yahoo News, "Meet Brig. Gen. Tammy Smith, the first openly gay U.S. general" http://news.yahoo.com/blogs/lookout/meet-brig-gen-tammy-smith-us-first-openly-211521611.html, August 13, 2012.

Translated by Mary Jacob[citation needed]
It is unlikely that this poem, translated by Mary Jacob, is authored by Han-shan. In comparing it with every poem in the corpus it will be found that there is not a close match. Moreover, neither the language nor the content of this poem is that of Han-shan. Most importantly, this poem does not have the appropriate number of lines for a Han-shan poem. Jacob's poem has 9 lines; there is not a single example of a 9 line poem in all of Han-shan's poetry. All of Han-shan's poems are 4, 8, 10 or 14 lines, with a few that have more than 14. Further, Jacob's poem has an odd number of lines; there is not a single example of a poem with an odd number of lines in all of Han-shan's poetry. Finally, the 9th and final line in Jacob's poem has the words “ha ha ha.” Not a single Han-shan poem has those words as a final line. Perhaps someone is having a joke?
Disputed

Sand and Foam (1926)

Source: A Return to Love: Reflections on the Principles of "A Course in Miracles"