“I lay under the buckthorn tree. My soul was enchanted. I looked up through its leaves. The sun was coloring them a briljant yellow. They stood out from their delicate red stems, laughing at the sky.
And the sky was deep blue with one small cloud. And the blue was a glorious contrast to the yellow of the leaves. And the wind came and played with them, turning them over so that I could see their shiny upper surfaces. And the wind came down to me, too, bringing me armfuls of sweet fragrance.
The buckthorn was in blossom and that was the prettiest thing about it. Its scenty filled the soft air and covered me in a dream, tenderly, ans sang to my soul a tale of times before I ever was, and of times when I shall be no more..”

— Paula Modersohn-Becker

from her Journal, in Lilleon, June 1898; as quoted in Paula Modersohn-Becker – The Letters and Journals, ed: Günther Busch & Lotten von Reinken; (transl, A. Wensinger & C. Hoey; Taplinger); Publishing Company, New York, 1983, p. 105
1898

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "I lay under the buckthorn tree. My soul was enchanted. I looked up through its leaves. The sun was coloring them a bril…" by Paula Modersohn-Becker?

Paula Modersohn-Becker 55

German artist 1876–1907

Related quotes

“I was walking down by the river. I lay down under a tree. I was broke. I felt pretty low. Then I looked up at the sky—all blue except for one little, white, fleecy cloud. The words came to me for the song—quicker than it's taking me to tell it to you. I got up—and I had new hope. That was the turning point in my life.”

Johnnie Ray (1927–1990) American singer, actor, songwriter and composer

On writing "The Little White Cloud That Cried", The Chicago Tribune (16 March 1952)

“I barely notice colors unless I taste them. Not the yellows or the greens. I taste the deeper blues. The darker reds.”

David Levithan book Every You, Every Me

Source: Every You, Every Me

“The sky is blue today, Max, and there is a big long cloud, and it's stretched out, like a rope. At the end of it, the sun is
like a yellow hole…”

Markus Zusak book The Book Thief

Source: The Book Thief

“The most beautiful gift of nature is a pleasant morning whenever I see this beautiful sight of nature I fall in love with nature. A pleasant morning brings with it different colors of nature. Just like the green trees and plants that make my eyes feel relaxed, the blue color of the sky signifies ambition, the yellow color of the sun lights the lamp of hope in me, the red and pink colors of flowers fill me with love, these I am surprised to see all the colours. The scent of the wet soil in the morning along with the cool breeze fills me with freshness. When i hear the sweet chirping of birds, my heart starts humming.”

Shabdon Ka Jahan

“So, probably.... when I started painting the pelvis bones I was most interested in the holes in the bones — what I saw through them - particularly the blue from holding them up in the sun against the sky as one is apt to do when one seems to have more sky than earth in one's world.... they were most beautiful against the Blue — that Blue that will always be there as it is now after all man's destruction is finished.”

Georgia O'Keeffe (1887–1986) American artist

O'Keeffe's contribution (1939) to the exhibition catalogue of the show An American place (1944)
1930 - 1950

“To paint an autumn landscape I will not try to remember what colors suit this season, I will only be inspired by the sensation that the season gives me; the icy clearness of the sour blue sky will express the season just as well as the tonalities of the leaves. My sensation itself may vary, the autumn may be soft and warm like a protracted summer or quite cool with a cold sky and lemon yellow trees that give a chilly impression and announce winter.”

Henri Matisse (1869–1954) French artist

Source: 1900s, Notes d'un Peintre (Notes of a Painter) (1908), p. 412

“You know my tendency is always to imagine things in my head and to work from this idea. I am going to explain my theory of blue, yellow and red, which will probably seem as 'Spanish' to you as my face.
Blue is the male principle, astringent and spiritual. Yellow is the female principle, gentle, gay and spiritual. Red is matter, brutal and heavy and always the color to be opposed and overcome by the other two. For example, if you mix serious, spiritual blue with red, you intensify the blue to unbearable sorrow, and yellow the conciliatory, the complementary color to purple, becomes indispensable... If you mix red and yellow to make orange, you turn passive, feminine yellow into a Fury, with sensual force that again makes cool, spiritual blue indispensable, the man..”

Franz Marc (1880–1916) German painter

Quote in Franz Marc's letter to August Macke, Dec. 1910; as cited by de:Wolf-Dieter Dube, in Expressionism; Praeger Publishers, New York, 1973, p. 129
1905 - 1910

“My wind is turned to bitter north,
That was so soft a south before;
My sky, that shone so sunny bright,
With foggy gloom is clouded o’er
My gay green leaves are yellow-black,
Upon the dank autumnal floor;
For love, departed once, comes back
No more again, no more.”

Arthur Hugh Clough (1819–1861) English poet

A Song of Autumn http://whitewolf.newcastle.edu.au/words/authors/C/CloughArthurHugh/verse/poemsproseremains/songautumn.html.

“I reduced painting to its logical conclusion and exhibited three canvases: red, blue and yellow. I affirmed: it's all over. Basic colors. Every plane is a plane and there is to be no representation.”

Alexander Rodchenko (1891–1956) Russian artist and photographer

Quote in: 'The Death of Painting'; from the MoMA-website: Interactives: texts https://www.moma.org/interactives/exhibitions/1998/rodchenko/texts/death_of_painting.html
Rodchenko is looking back: in 1921 he executed what were arguably some of the first true monochromes (artworks of one color; source, Wikipedia:Rodchenko)

“Down in the deep, up in the sky,
I see them always, far or nigh,
And I shall see them till I die —”

Dinah Craik (1826–1887) English novelist and poet

"Magnus and Morna", in Thirty Years, Poems New and Old (1880)
Context: p>Down in the deep, up in the sky,
I see them always, far or nigh,
And I shall see them till I die —The old familiar faces.</p

Help us to complete the source, original and additional information

Paula Modersohn-Becker 55

Related quotes

Related topics