“It is a question of the systematic and interpretive organization of the sensational, scattered and narcissist surrealist experimental material, - that is to say, of everyday surrealist events:, br>nocturnal pollution, false recollection, dream, diurnal fantasy, the concrete transformation of nocturnal phosphene into a hypnagogic image or of "waking phosphene" into an objective image, - the nutritive caprice, - inter-uterine claims, - anamorphic hysteria, - the voluntary retention of the urine, - the involuntary retention of insomnia - the fortuitous image of exclusively exhibitionist tendency, -the incomplete action, - the frantic manner, - the regional sneeze, the anal wheelbarrow, the minimal mistake, the liliputian malaise, the super-normal physiological state, - the picture one leaves off painting, that which one paints, the territorial ringing of the telephone, "the deranging image", etc., etc.,
all these things, I say, and a thousand other instantaneous or successive sollicitations, revealing a minimum of irrational intentionalety or, on the contrary, a minimum of suspect phenomenal nullity, are associated, by the mechanisms of paranoiac-critical activity, in an indestructible delirious-interpretive system of political problems, paralytic images, more or less mammiferous questions, playing the role of the obsessing idea.”

— Salvador Dalí

Source: Quotes of Salvador Dali, 1931 - 1940, My Pictorial Struggle', S. Dali, 1935, Chapter: 'My Pictorial Struggle', pp. 15-16

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Salvador Dalí 117

Spanish artist 1904–1989

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“Surrealism in its early period offered specific methods to bring images closer to concrete irrationality. These methods, based on the exclusive passive and receptive role of the 'surrealist subject', are bankrupt and are giving way to new surrealist methods for the systematic exploration of the irrational... The new delirious images of concrete irrationality suggest their physical, real 'possibility'; they go beyond the domain of psycho-analysable fantasies and 'virtual' representations... Against the dream memory and impossible, virtual images of purely receptive states that one can only recount, the physical facts of 'objective' irrationality with which one can already hurt oneself.”

Salvador Dalí (1904–1989) Spanish artist

Source: Quotes of Salvador Dali, 1961 - 1970, Diary of a Genius (1964), p. 23 - on new Surrealism techniques and methods.

“Paranoiac-critical activity is an organizing and productive force of objective chance. Paranoiac-critical activity no longer considers surrealist phenomena and images by themselves but, on the contrary, as a coherent whole of systematic and significant relations.”

Salvador Dalí (1904–1989) Spanish artist

Source: Quotes of Salvador Dali, 1931 - 1940, My Pictorial Struggle', S. Dali, 1935, Chapter: 'My Pictorial Struggle', p. 16

“Surrealism in its first period offered specific methods for approaching the images of concrete irrationality. These methods, based on the exclusively passive and receptive role of the surrealist subject, are now [1935] in liquidation and giving place to new surrealist methods of systematic exploration of the irrational.”

Salvador Dalí (1904–1989) Spanish artist

Source: Quotes of Salvador Dali, 1931 - 1940, My Pictorial Struggle', S. Dali, 1935, Chapter: 'My Pictorial Struggle', p. 13

“Materialism is the recognition of "objects in themselves", or outside the mind; ideas and sensations are copies of images of those objects.”

Vladimir Lenin (1870–1924) Russian politician, led the October Revolution

Materialism and Empirio-Criticism (1908)

“Sensation is a subjective image of the objective world.”

Vladimir Lenin (1870–1924) Russian politician, led the October Revolution

Source: Materialism and Empirio-Criticism (1908), p. 116

“We went from losses to goods seized by creditors, while continuing to organize surrealist or abstract exhibitions…”

Christian Dior (1905–1957) French fashion designer

In September 1932 when there was world wide economic crisis
Source: Marie France Pochna, "Christian Dior: The Man who Made the World Look New", p. 53

“…there is a striking similarity in the surrealist and abstract painters attitude to the object; both have a horror of it in its proper context.”

John Piper (artist) (1903–1992) English painter and printmaker (1903-1992)

Lost, A valuable object, in Myfanwy Piper's anthology-"The Painters Object" 1937

“Like pictures, images seem to depict information about interval spatial extents. The scanning experiments support the claim that portions of images depict corresponding portions of the represented objects, and that the spatial relations between portions of the image index the spatial relations between the corresponding portions of the imaged objects.”

Stephen Kosslyn (1948) American psychologist

Source: Image and Mind. 1980, p. 51

“The constant flux and caprice of mental events do not admit of the establishment of stable experimental conditions.”

Hermann Ebbinghaus (1850–1909) German psychologist

Source: Memory: A contribution to experimental psychology, 1885, p. 19

“They thought I was a Surrealist, but I wasn't. I never painted dreams. I painted my own reality.”

Frida Kahlo (1907–1954) Mexican painter

Quoted in Time Magazine, "Mexican Autobiography" (27 April 1953)
1946 - 1953
Variant: I don't paint dreams or nightmares, I paint my own reality.

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Salvador Dalí 117

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