“The coming together of rhythm and melody bridges our cerebellum and our cerebral cortex.”

—  Daniel Levitin

This is Your Brain on Music (2006)

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "The coming together of rhythm and melody bridges our cerebellum and our cerebral cortex." by Daniel Levitin?
Daniel Levitin photo
Daniel Levitin 76
American psychologist 1957

Related quotes

Gioachino Rossini photo

“Simple melody and variety in rhythm.”

Gioachino Rossini (1792–1868) Italian composer

Melodia semplice e varietà nel ritmo.
His motto for Italian music, formulated in a letter to Filippo Filippi, August 26, 1868; Luca Somigli Legitimizing the Artist (2003) p. 103.
Often misquoted as "Simple melody – clear rhythm!"

Louise Erdrich photo

“Women don't realize how much store men set on the regularity of their habits. We absorb their comings and goings into our bodies, their rhythms into our bones.”

Louise Erdrich book The Round House

Source: The Round House

B.K.S. Iyengar photo

“Yoga is like music: the rhythm of the body, the melody of the mind, and the harmony of the soul create the symphony of life/”

B.K.S. Iyengar (1918–2014) Indian yoga teacher and scholar

Source: Light on Life: The Yoga Journey to Wholeness, Inner Peace, and Ultimate Freedom, p. 59-60

Alain de Botton photo

“Our bodies hold our minds hostage to their whims and rhythms.”

Alain de Botton book The Consolations of Philosophy

Source: The Consolations of Philosophy (2000), Chapter IV, Consolation For Inadequacy, p. 122.

Tom Stoppard photo

“We cross our bridges when we come to them and burn them behind us, with nothing to show for our progress except a memory of the smell of smoke, and a presumption that once our eyes watered.”

Tom Stoppard (1937) British playwright

Source: Rosencrantz and Guildenstern are Dead

Nikos Kazantzakis photo

“Our profound human duty is not to interpret or to cast light on the rhythm of God's arch, but to adjust, as much as we can, the rhythm of our small and fleeting life to his.”

Nikos Kazantzakis book The Saviors of God

The Saviors of God (1923)
Context: Our profound human duty is not to interpret or to cast light on the rhythm of God's arch, but to adjust, as much as we can, the rhythm of our small and fleeting life to his.
Only thus may we mortals succeed in achieving something immortal, because then we collaborate with One who is Deathless.
Only thus may we conquer mortal sin, the concentration on details, the narrowness of our brains; only thus may we transubstantiate into freedom the slavery of earthen matter given us to mold.

“Joy can come alive like that, when random pieces of history and rhythm, pause and expectation, melody and lyric, suddenly rearrange themselves into a pattern that leaps up, back against the wall, and catches your heart.”

Andrea Lewis (writer) Microsoft employee

"Forty Years" Slow Trains Vol.7, Issue 3 (2008)
2000-09

Alex Haley photo

“In every conceivable manner, the family is link to our past, bridge to our future.”

Alex Haley (1921–1992) African American biographer, screenwriter, and novelist

As quoted in Traits of a Healthy Family (1985) by Dolores Curran, p. 199.
Context: The family is our refuge and our springboard; nourished on it, we can advance to new horizons. In every conceivable manner, the family is link to our past, bridge to our future.

Yurii Andrukhovych photo

“By the way, our nightingale language ranks second in the world in its melodiousness.”

Yurii Andrukhovych book The Moscoviad

The Moscoviad
Source: The Moscoviad. Yuri Andrukhovych. Spuyten Duyvil, New York City. ISBN1933132523, p. 83

“I think writing is basically about time and rhythm. Like with jazz. You have your basic melody and then you just riff off of it.”

Kathy Acker (1947–1997) American novelist, playwright, essayist, and poet

Kathy Acker: Where does she get off?
Context: I think writing is basically about time and rhythm. Like with jazz. You have your basic melody and then you just riff off of it. And the riffs are about timing. And about sex.
Writing for me is about my freedom. When I was a kid, my parents were like monsters to me, and the world extended from them. They were horrible. And I was this good little girl — I didn't have the guts to oppose them. They told me what to do and how to be. So the only time I could have any freedom or joy was when I was alone in my room. Writing is what I did when I was alone with no one watching me or telling me what to do. I could do whatever I wanted. So writing was really associated with body pleasure — it was the same thing. It was like the only thing I had.

Related topics