
Sketching from Nature
The Note-Books of Samuel Butler (1912), Part IX - A Painter's Views on Painting
How to Go to the Movies (1988), part I: The New Hollywood
Sketching from Nature
The Note-Books of Samuel Butler (1912), Part IX - A Painter's Views on Painting
“Who is this Monet whose name sounds just like mine and who is taking advantage of my notoriety?”
Quote 1865, recorded by Theodore Duret at the [[w:Salon (Paris)|Paris Salon that year; as quoted on: SCRIBD - 'Manet's letters' https://www.scribd.com/document/344176445/manets-letters-worksheet
1850 - 1875
Your Thought and Mine
Context: Your thought advocates fame and show. Mine counsels me and implores me to cast aside notoriety and treat it like a grain of sand cast upon the shore of eternity. Your thought instills in your heart arrogance and superiority. Mine plants within me love for peace and the desire for independence. Your thought begets dreams of palaces with furniture of sandalwood studded with jewels, and beds made of twisted silk threads. My thought speaks softly in my ears, "Be clean in body and spirit even if you have nowhere to lay your head." Your thought makes you aspire to titles and offices. Mine exhorts me to humble service.
Source: Confessions of a Young Man http://www.gutenberg.org/files/12278/12278-h/12278-h.htm (1886), Ch. 16.
The Analects, The Doctrine of the Mean
Context: It is the way of the superior man to prefer the concealment of his virtue, while it daily becomes more illustrious, and it is the way of the mean man to seek notoriety, while he daily goes more and more to ruin. It is characteristic of the superior man, appearing insipid, yet never to produce satiety; while showing a simple negligence, yet to have his accomplishments recognized; while seemingly plain, yet to be discriminating. He knows how what is distant lies in what is near. He knows where the wind proceeds from. He knows how what is minute becomes manifested. Such a one, we may be sure, will enter into virtue.
Source: The Image: A Guide to Pseudo-Events in America (1961), p. 48.