“There are men whose sense of humour is so ill developed that they still bear a grudge against Copernicus because he dethroned them from the central position in the universe. They feel it a personal affront that they can no longer consider themselves the pivot upon which turns the whole of created things.”
"1901", p. 66
A Writer's Notebook (1946)
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W. Somerset Maugham 158
British playwright, novelist, short story writer 1874–1965Related quotes

Source: Precepts and Judgments (1919), p. 199

Muslims need critical thinking - Irshad Manji http://www.ifeminists.net/introduction/editorials/2004/0818verhofstadt.html August 18, 2004 (interview by Dirk Verhofstadt)

63 : The Working of the Avatar, p. 105.
The Everything and the Nothing (1963)
Context: The Avatar draws upon Himself the universal suffering, but He is sustained under the stupendous burden by His Infinite Bliss and His infinite sense of humour. The Avatar is the Axis or Pivot of the universe, the Pin of the grinding-stones of evolution, and so has a responsibility towards everyone and everything.

Source: Anarcho-Syndicalism (1938), Ch. 4 "The Objectives of Anarcho-syndicalism"
Context: For the Anarcho-Syndicalists the trade union is by no means a mere transitory phenomenon bound up with the duration of capitalist society, it is the germ of the Socialist society of the future, the elementary school of Socialism in general. Every new social structure makes organs for itself in the body of the old organism. Without this preliminary any social evolution is unthinkable. Even revolutions can only develop and mature the germs which already exist and have made their way into the consciousness of men; they cannot themselves create these germs or create new worlds out of nothing. It therefore concerns us to plant these germs while there is still yet time and bring them to the strongest possible development, so as to make the task of the coming social revolution easier and to ensure its permanence.
All the educational work of the Anarcho-Syndicalist is aimed at this purpose.

1950s, Conquering Self-centeredness (1957)