
“Some of them defined ideology as an imaginary relationship to a real situation.”
Source: Red Mars (1992), Chapter 6, “Guns Under the Table” (p. 460)
"The Imaginative Mind in Art" (1978)
“Some of them defined ideology as an imaginary relationship to a real situation.”
Source: Red Mars (1992), Chapter 6, “Guns Under the Table” (p. 460)
Source: Seth, Dreams & Projections of Consciousness, (1986), p. 184, quoting from Seth Session 31
Part 2: "The Habit of Truth", §11 (p. 45–46)
Science and Human Values (1956, 1965)
Context: In effect what Luther said in 1517 was that we may appeal to a demonstrable work of God, the Bible, to override any established authority. The Scientific Revolution begins when Nicolaus Copernicus implied the bolder proposition that there is another work of God to which we may appeal even beyond this: the great work of nature. No absolute statement is allowed to be out of reach of the test, that its consequence must conform to the facts of nature.
The habit of testing and correcting the concept by its consequences in experience has been the spring within the movement of our civilization ever since. In science and in art and in self-knowledge we explore and move constantly by turning to the world of sense to ask, Is this so? This is the habit of truth, always minute yet always urgent, which for four hundred years has entered every action of ours; and has made our society and the value it sets on man.
“I give so much pleasure to so many people. Why can I not get some pleasure for myself?”
Quoted in: Robert Andrews (2003), The New Penguin Dictionary of Modern Quotations. p. 144
Source: The Tao of Pooh
Strange Horizons interview (2004)
Context: Faeries might have been wandering around in Victorian England. I can believe that. But it is a more difficult thing to think that they might be wandering around Camden Town now.
It is more of a jump, but I find that more interesting in many ways. The irruption of the supernatural into our world is a much more enticing notion to explore than the same thing happening in some past time, or in a wholly imaginary world.