The Anthem of Humanity
The Vision: Reflections on the Way of the Soul (1994)
Context: I have existed from all eternity and, behold, I am here; and I shall exist till the end of time, for my being has no end.
I soared into limitless space and took wing in the imaginal world, approaching the circle of exalted light; and here I am now, mired in matter.
I listened to the teachings of Confucius, imbibed the wisdom of Brahma, and sat beside Buddha beneath the tree of insight. And now I am here, wrestling with ignorance and unbelief. I was on Sinai when Yahweh shed his effulgence on Moses; at the River Jordan I witnessed the miracles of the Nazarene; and in Medina I heard the words of the Messenger to the Arabs. And here I am now, a captive of confusion.
“Since all preceding schools of painting have proved that the spirit of beauty does not lie in nature but in the 'I', now that painting in all its various expressions from Giotto to Cézanne has demonstrated that all beauty is in the 'I', that the 'I' is all emotion and that beyond the 'I' nothing can exist because all being exists only in relationship with the 'I', now the time has come to develop from this 'I' a new style. As soon as this 'I' becomes the general, universal 'I' instead of the individualistic or the rationalistic one, the new style will be a general style.”
from his article: 'The new style in painting', in the Dutch journal 'De Avondpost', 2 May 1916
this quote of Van Doesburg is announcing more or less De Stijl movement as a general modern art style
1912 – 1919
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Theo van Doesburg 46
Dutch architect, painter, draughtsman and writer 1883–1931Related quotes
Preface (1910) to The Bible of Amiens by John Ruskin, translated by Proust (1904); from Marcel Proust: On Reading Ruskin, trans. Jean Autret and Philip J. Wolfe (Yale University Press, 1987, ISBN 0-300-04503-4, p. 57
Source: 1920s, "Picasso Speaks" (1923), p. 319.
"Lust of the Libertines"
Lyrics and poetry
Quote of Braque, late 1908; as cited in The wild men of Paris, Gelett Burgess, https://monoskop.org/images/f/f3/Burgess_Gelett_1910_The_Wild_Men_of_Paris.pdf in 'The Architectural Record', p. 405, May 1910; as cited in Braque, by Edwin Mullins, Thames and Hudson, London 1968, p. 34
1908 - 1920
In a letter to her parents, from Worpswede, 10 September 1899; as quoted in Voicing our visions, – Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, p. 199
1899
T 2760 (January 1892); as quoted in Edvard Much – behind the scream, Sue Prideaux; Yale University Press, New Haven and London, 2007, p. 119
1880 - 1895