“The fact that I myself, at the moment of painting, do not understand my own pictures, does not mean that these pictures have no meaning; on the contrary, their meaning is so profound, complex, coherent, and involuntary that it escapes the most simple analysis of logical intuition. To describe my pictures in everyday language, to explain them, it is necessary to submit them to special analyses and preferably with the most ambitiously objective scientific rigour possible. Then all explanation arises a posteriori; once the picture already exists as phenomenon.”

— Salvador Dalí

Source: Quotes of Salvador Dali, 1931 - 1940, My Pictorial Struggle', S. Dali, 1935, Chapter: 'My Pictorial Struggle', pp. 11-12

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Salvador Dalí 117

Spanish artist 1904–1989

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“I paint my pictures with all the considerations which are natural to my intelligence, and according as my intelligence understands them.”

Paolo Veronese (1523–1588) Italian painter of the Renaissance

Unsourced variant translation: I paint my pictures with such judgment as I have and as seems fitting.
Testimony to the Inquisition, (1573)

“It seems to me perfectly obvious when my enemies, my friends and the public in general pretend not to understand the meaning of the images that arise arid that I transcribe in my pictures, How can you expect then to understand them when I myself, who am their "maker", understand them as little?”

Salvador Dalí (1904–1989) Spanish artist

Source: Quotes of Salvador Dali, 1931 - 1940, My Pictorial Struggle', S. Dali, 1935, Chapter: 'My Pictorial Struggle', p. 11

“The idea of objectivity in the evaluation of pictures introduces the concept of rational and scientific assessment. There are some sciences involved in the making and in the study of pictures, but the art itself is finally not a science and will not submit to scientific regimentation because its life depends on the degree to which it is inhabited by mystery, speaks to us of the unknown. It is simply an avoidance of the interesting difficulty to subject the inexplicable to the process of rational explanation. For since the real pleasures of painting and the reality of its meaning exist in the part of its structure which cannot be explained, all suggestions and pretensions at explanation must lead us away from the area of greatest interest. This is to say that such analysis as purports to lay bare the machinery which makes a painting work — makes it a good painting — not only leaves out the most important factor, the element of mystery, but actively denies the reality which is the justification for the art at all.”

Patrick Swift (1927–1983) British artist

X magazine (1959-62)

“As far as the surface is concerned – oil on canvas, conventionally applied – my pictures have little to do with the original photograph. They are totally painting (whatever that may mean). On the other hand, they are so like the photograph that the thing that distinguished the photograph from all other pictures remains intact.”

Gerhard Richter (1932) German visual artist, born 1932

Notes, 1964-65; as cited on collected quotes on the website of Gerhard Richter: on 'Photo-paintings' https://www.gerhard-richter.com/en/quotes/subjects-2/photo-paintings-12
1960's

“My first photo Picture? I was doing large pictures in gloss enamel... One day a photograph of Brigit Bardot fell into my hands, and I painted it into one of these pictures in shades of grey. I had had enough of bloody painting, and painting from a photograph seemed to me the most moronic.... thing that everyone could do.”

Gerhard Richter (1932) German visual artist, born 1932

Source: after 2000, Doubt and belief in painting' (2003), p. 43, note 36 : quote on his start with photography

“The illumination that follows does not, of course, flow simply from their being smaller but from the wider scientific picture into which they can now be fitted. That picture gives them a new kind of context, a wider whole within which they can be differently understood. And finding that kind of context is an essential part of what “understanding” means.”

Mary Midgley (1919–2018) British philosopher and ethicist

Are You an Illusion (2014). 29.
Context: A particularly strong assumption here has been scientists’ deep reliance on atomization; on finding the meaning of things by breaking them down to their smallest components. Atomizations illustrates the simplest, most literal meaning of the word “reduction”; it works by making things smaller. The illumination that follows does not, of course, flow simply from their being smaller but from the wider scientific picture into which they can now be fitted. That picture gives them a new kind of context, a wider whole within which they can be differently understood. And finding that kind of context is an essential part of what “understanding” means.

“Well, I think it [painting] is a life measuring stick. And I'm concerned with being myself, getting to know more and more what that is, what is possible, and what the real meaning of beauty and development is. I'm concerned with development and growth. But I am in my everyday life. I hate to feel deadly. But that does not mean that repetition or experiment isn't in the total picture of growth and development. And I think that pace and place differently at different times for each person.”

Helen Frankenthaler (1928–2011) American artist

quote about her attitude
1960s, Interview with Barbara Rose', Archives - American Art, 1968

“He John Ruskin knows a great deal more about my pictures than I do; he puts things into my head, and points out meanings in them that I never intended.”

J.M.W. Turner (1775–1851) British Romantic landscape painter, water-colourist, and printmaker

Quote of Turner, c. 1840's; as cited by George Walter Thornbury, in The life of J.M.W. Turner, Volume II; Hurst and Blackett Publishers, London, 1862, p. 130
Turner did not appear to be pleased with Mr. Ruskin's superlative eulogies, according to Peter Cunningham
1821 - 1851

“It was no accident that I found my way to Götz at the time [c. 1960-62]. This 'Informal' element runs through every picture I've painted, whether it's a landscape, or a family painted from a photograph, or the Colour Charts or a Grey picture. And so now it is a pursuit of the same objectives by other means... As I now see it, all my paintings are 'Informal'.... except for the landscapes, perhaps... The 'Informal' is the opposite of the constructional quality of classicism – the age of kings, of clearly formed hierarchies.”

Gerhard Richter (1932) German visual artist, born 1932

Source: after 2000, Doubt and belief in painting' (2003), p. 42, note 45 : quote on his period of Informal art

“As I hear, you are the possessors of one of my favorite paintings 'The children on the beach' and I can tell you that few pictures by me, have so much figures, busy in the subject. Therefore I mean that this picture is an unicum and I hope you will give it a good light and place in your gallery.”

Jozef Israëls (1824–1911) Dutch painter

Israels in his letter to Amercian art-sellers Moulton & Ricketts, 27 June 1910; as cited in Jozef Israëls, 1824 – 1911, ed. Dieuwertje Dekkers; Waanders, Zwolle 1999, p. 188
Quotes of Jozef Israels, after 1900

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Salvador Dalí 117

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