“I have a feeling that sooner or later I shall arrive at something legitimate, only I must begin, not with hypotheses, but with specific instances, no matter how minute. If I then succeed in distinguishing a clear structure, I get more from it than from a lofty imaginary construction. And the typical will automatically follow from a series of examples.”

— Paul Klee

Quote (Bern, April 1902), as cited in Artists on Art, from the 14th – 20th centuries, ed. Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 442
1895 - 1902

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Paul Klee 104

German Swiss painter 1879–1940

Stephen J. Mellor (1952) British computer scientist

Source: Object-Oriented Systems Analysis: Modeling the World In Data (1988), p. 12.

Sally Shlaer (1938–1998) American computer scientist

Source: Object-Oriented Systems Analysis: Modeling the World In Data (1988), p. 12

“I'm a great believer in asking everyone for an opinion before I make a decision. … I ask and I ask and I ask, until I begin to get a gut feeling about something. And that's when I make a decision. I have learned much more from conducting my own random surveys than I could ever have learned from the greatest of consulting firms.”

Donald J. Trump (1946) 45th President of the United States of America

Source: 1980s, Trump: The Art of the Deal (1987), pp. 51–52

“For me all is in the conception. I must therefore have a clear vision of the whole from the beginning.”

Henri Matisse (1869–1954) French artist

1905 - 1910, Notes of a Painter' (1908)

“We busted out of class had to get away from those fools;
We learned more from a three minute record than we ever learned in school.
Tonight I hear the neighborhood drummer sound;
I can feel my heart begin to pound.
You say you're tired and you just want to close your eyes and follow your dreams down.”

Bruce Springsteen (1949) American singer and songwriter

"No Surrender"
Song lyrics, Born in the U.S.A. (1984)

“I would say that it was 'poetry' which distinguishes the cubist paintings which Picasso and I arrived at intuitively from the lifeless sort of painting which those who followed us tried, with such unfortunate results, to arrive at theoretically.”

Georges Braque (1882–1963) French painter and sculptor

1946 - 1963, interview with John Richardson' (1957)

“For example, Rothko and I came to an agreement on the question of the subject matter; if we were to do something which could develop in some direction other than the accepted directions of that time, it would be necessary to use different subjects to begin with, and 1942, we embarked on a series of paintings that attempted to use mythological subject matter, preferably from Greek mythology. I did a series of paintings on the theme of Oedipus and Rothko did a series of paintings on other Greek themes….. this offered a possibility of a way out [of a. o. Social Realism and Cubism ]”

Adolph Gottlieb (1903–1974) American artist

In an interview (March 1960) with David Sylvester, edited for broadcasting by the BBC first published in ‘Living Arts, June 1963; as quoted in Interviews with American Artists, by David Sylvester; Chatto & Windus, London 2001, p. 31
1960s

“As I walk, I construct perfect sentences that I cannot remember later at home. I don’t know if the ineffable poetry of those sentences derived from what they were or from their never having been (written).”

Fernando Pessoa book The Book of Disquiet

Source: The Book of Disquiet

“Sometimes I feel I know strangers
Better than I know my friends
Why must a beginning
Be the means to an end?The stones from my enemies
These wounds will mend
But I cannot survive
The roses from my friends.”

Ben Harper (1969) singer-songwriter and musician

Roses From my Friends
Song lyrics, The Will to Live (1997)

“Someday, Will, I will go where none can follow me, and I think it will be sooner rather than later. Have you ever asked yourself why I agreed to be your parabatai?”

Cassandra Clare book Clockwork Prince

Source: Clockwork Prince

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Paul Klee 104

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