“More positively, taking pleasure in music is the most obvious sign of comprehension, the proof that we understand it, and we may extend that to sympathy with other listeners' enjoyment …”
Source: The Frontiers of Meaning: Three Informal Lectures on Music (1994), Ch. 1 : The Frontiers of Nonsense
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Charles Rosen 69
American pianist and writer on music 1927–2012Related quotes

volume I; lecture 22, "Algebra"; section 22-1, "Addition and multiplication"; p. 22-1
The Feynman Lectures on Physics (1964)

L’extrême plaisir que nous prenons à parler de nous-mêmes nous doit faire craindre de n’en donner guere à ceux qui nous écoutent.
Translation by E.H. Blackmore et. al., in Collected Maxims and Other Reflections, de La Rochefoucauld, Oxford University Press (2008) : ISBN 019162313X
Maxim 314
Reflections; or Sentences and Moral Maxims (1665–1678)

“The music we listen to may not define who we are. But it’s a damn good start.”
Source: Sing You Home

This Business of Living (1935-1950)
"The Radical Tradition: Fox, Paine, and Cobbett", p 34
The Trouble Makers: Dissent over Foreign Policy, 1792-1939 (1957)

As quoted in A Maimonides Reader (1972) by Isadore Twersky, p. 135. A footnote on this page states : tzedekah is translated as both "righteousness" and "charity".
Source: A Theory of Justice (1971; 1975; 1999), Chapter I, Section 6, pg. 31

Source: 1910's, The Art of Noise', 1913, p. 6
Context: Each sound carries with it a nucleus of foreknown and foregone sensations predisposing the auditor to boredom, in spite of all the efforts of innovating composers. All of us have liked and enjoyed the harmonies of the great masters. For years, Beethoven and Wagner have deliciously shaken our hearts. Now we are fed up with them. This is why we get infinitely more pleasure imagining combinations of the sounds of trolleys, autos and other vehicles, and loud crowds, than listening once more, for instance, to the heroic or pastoral symphonies.