Interview by Brendan Maher http://www.gottfried-helnwein-interview.com/index.html, Start, Ireland, November 24, 2004
“"High" and "low" are completely arbitrary and artificial distinctions that some bloated assholes invented to make life more complicated. Comics are considered "low", but when Roy Lichtensein comes and picks out one panel of a comic, projects and paints it on a canvas then it's suddenly "high" art? Give me a break. The only thing that I care about in art is quality, intensity. Is a work of art capable of touching and moving me? Does it cause an emotional impact on me? Does it startle, surprise, upset, excite me? Does it make me think? Does it inspire me? Does it stimulate my imagination? Does it change the way I view the world to some degree?”
Interview by Michal Szyksznian http://www.gottfried-helnwein-interviews.com/interviews/celebritarian.html, celebritarian.pl, 2009
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Gottfried Helnwein 14
Austrian photographer and painter 1948Related quotes
excerpt of her Journal, Paris, 1898; as quoted in Voicing our visions, – Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, p. 197
1898
“The art of painting is the Art of hollowing out a canvas.”
from an essay by Roger Fry, in 'The Dial', Camden, New Jersey, September 1926
undated quotes
Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 247.
Source: Common risk factors in the returns on stocks and bonds, 1993, p. 8
“See, I'm looking for a man that'll rub me slow, make me sing real high when he goes down low.”
"One & Only", The Emancipation of Mimi, 2005.
Lyrics
Source: Color, Format and Abstract Art' (1977), pp. 99 – 105
Paris 1923
As quoted by Marius de Zayas, in 'The Arts', New York, May 1923
Quotes, 1920's, "Picasso Speaks," 1923