“Death has been the great leveler/ Of all honour, glory and name./ None can take anything with them/ To their tomb! Death! The sobering fact/ Of all our yearnings and longings!/ “What does it profit a man …”/ If he cannot take any of the things/ To his grave.”

Death: Live It! p. 32.
Death: Live It! (2005)

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Do you have more details about the quote "Death has been the great leveler/ Of all honour, glory and name./ None can take anything with them/ To their tomb! Deat…" by Kuruvilla Pandikattu?
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Kuruvilla Pandikattu 54
Indian philosopher 1957

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“Death takes the mean man with the proud;
The fatal urn has room for all.”

Aequa lege Necessitas Sortitur insignes et imos; Omne capax movet urna nomen.

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“Death takes the mean man with the proud;
The fatal urn has room for all.”

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“Death is a release from and an end of all pains: beyond it our sufferings cannot extend: it restores us to the peaceful rest in which we lay before we were born. If anyone pities the dead, he ought also to pity those who have not been born. Death is neither a good nor a bad thing, for that alone which is something can be a good or a bad thing: but that which is nothing, and reduces all things to nothing, does not hand us over to either fortune, because good and bad require some material to work upon. Fortune cannot take ahold of that which Nature has let go, nor can a man be unhappy if he is nothing.”
Mors dolorum omnium exsolutio est et finis ultra quem mala nostra non exeunt, quae nos in illam tranquillitatem in qua antequam nasceremur iacuimus reponit. Si mortuorum aliquis miseretur, et non natorum misereatur. Mors nec bonum nec malum est; id enim potest aut bonum aut malum esse quod aliquid est; quod uero ipsum nihil est et omnia in nihilum redigit, nulli nos fortunae tradit. Mala enim bonaque circa aliquam uersantur materiam: non potest id fortuna tenere quod natura dimisit, nec potest miser esse qui nullus est.

From Ad Marciam De Consolatione (Of Consolation, To Marcia), cap. XIX, line 5
In L. Anneus Seneca: Minor Dialogues (1889), translated by Aubrey Stewart, George Bell and Sons (London), p. 190.
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