“And so the arbitrary union of three incommensurate, mutually disconnected concepts became the basis of a bewildering theory… [by which] one of the lowest renderings of art, art for mere pleasure — against which all of the master teachers warned — was idealized as the ultimate in art.”

— Leo Tolstoy

What is Art? (1897)

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Russian writer 1828–1910

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“Concept art is first of all an art of which the material is concepts, as the material of e. g. music is sound. Since concepts are closely bound up with language, concept art is a kind of art of which the material is language.”

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“Having acknowledged the measure of the good to be pleasure, i. e., beauty, the European upper classes went back in their comprehension of art to the gross conception of the primitive Greeks which Plato had already condemned. And with this understanding of life, a theory of art was formulated.”

Leo Tolstoy (1828–1910) Russian writer

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“The most perfect art was Greek art. Raphael is the greatest of all masters in painting'. Such were the doctrines of every art teacher only twenty or thirty years ago.”

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“Some teachers of mankind — as Plato… the first Christians, the orthodox Muslims, and the Buddhists — have gone so far as to repudiate art. …[They consider it] so highly dangerous in its power to infect people against their wills, that mankind will lose far less by banishing all art than by tolerating each and every art. …such people were wrong in repudiating all art, for they denied that which cannot be denied — one of the indispensable means of communication, without which mankind could not exist. …Now there is only fear, lest we should be deprived of any pleasures art can afford, so any type of art is patronized. And I think the last error is much grosser than the first and that its consequences are far more harmful.”

Leo Tolstoy (1828–1910) Russian writer

What is Art? (1897)

“Concept art was meant to replace all of mathematics with an endeavor which involved a Rorschach-blot semantics; and which did not claim to be cognitive, at least not in the inherited sense. Mathematics had already been disconnected from claims of realism; and I was extending that disavowal to a disconnection from claims of a priori truth. Concept art's value consisted in beauty, a beauty which was non-sentimental. Later I would say that its value consisted in "the invention of new mental abilities."”

Henry Flynt (1940) American musician

Popularity had nothing to do with whether this avenue was worth taking.
Henry Flynt. " The Crystallization of Concept Art in 1961 http://www.henryflynt.org/meta_tech/crystal.html," at henryflynt.org, 1994.

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Internet Encyclopedia of Philosophy
Context: The success of art is measured by the extent to which it is able to render experiences of one dimension into terms of another. Art born out of a creative contemplation which is a process of travail of the spirit is an authentic crystallization of a life process. Its ultimate and in its essence, the poetical character is derived from the creative intuition (that is, integral intuition) which holds sound, suggestion and sense in organic solution.

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Quoted in: Richard Roud, Godard, introduction (1970).

“And so the arbitrary union of three incommensurate, mutually disconnected concepts became the basis of a bewildering theory… [by which] one of the lowest renderings of art, art for mere pleasure — against which all of the master teachers warned — was idealized as the ultimate in art.”

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