Klaus Kinski (1926–1991) German actor
I know what I have to do.
As quoted in Denise Worrell (1989), Icons: Intimate Portraits.
Letter to parents (December 2013)
Klaus Kinski (1926–1991) German actor
I know what I have to do.
As quoted in Denise Worrell (1989), Icons: Intimate Portraits.
Camille Pissarro (1830–1903) French painter
Quote in Pissarro, His Life and Work, Shikes and Harper, Horizon Press, 1980, p. 142
1870's
Daniel Buren (1938) sculptor from France
Daniel Buren in an 1968 interviewer, cited in: Andrew Russeth, " Daniel Buren Shows His Stripes: The Celebrated Artist’s Two-Gallery Show Is On, After a Sandy Delay http://observer.com/2013/01/daniel-buren-shows-his-stripes-the-celebrated-artists-two-gallery-show-is-on-after-a-sandy-delay/#ixzz3bQq73uPq." at observer.com, 01/08/13 <br class="br">1960s
Fidel Castro (1926–2016) former First Secretary of the Communist Party and President of Cuba
Fidel Castro Reader, pp. 238
Words to Intellectuals (1961)
Hillary Clinton (1947) American politician, senator, Secretary of State, First Lady
In response to the question, "How do you do it?" from Marianne Pernold The Washington Post http://www.washingtonpost.com/wp-dyn/content/article/2008/01/07/AR2008010702954.html <br class="br">Presidential campaign (January 20, 2007 – 2008)
Margaret Cho (1968) American stand-up comedian
And it turns out I save about 97 minutes a week. I can take a pottery class.
From Her Tours and CDs, The Notorious C.H.O. Tour
Andy Warhol book The Philosophy of Andy Warhol
Source: 1975, The Philosophy of Andy Warhol (1975), Ch. 7: Time
Source: The Philosophy of Andy Warhol
Paul Gauguin (1848–1903) French Post-Impressionist artist
Original: Je suis un grand artiste et je le sais. C'est parce que je le suis que j'ai tellement enduré de souffrances. Pour poursuivre ma voie, sinon je me considérerai comme un brigand. Ce que je suis du reste pour beaucoup de personnes. Enfin, qu'importe! Ce qui me chagrine le plus c'est moins la misère que les empêchements perpétuels à mon art que je ne puis faire comme je le sens et comme je pourais le faire sans la misère qui me lie les bras. Tu me dis que j'ai tort de rester éloigné du centre artistique. Non, j'ai raison, je sais depuis longtemps ce que je fais et pourquoi je le fais. Mon centre artistique est dans mon cerveau et pas ailleurs et je suis fort parce que je ne suis jamais dérouté par les autres et je fais ce qui est en moi.
Source: 1890s - 1910s, The Writings of a Savage (1996), pp. 53-54: Quote in a letter to his wife, Mette (Tahiti, March 1892)
Kenneth Rexroth (1905–1982) American poet, writer, anarchist, academic and conscientious objector
"The Libertarian Circle"
An Autobiographical Novel (1991)
Context: I was giving a reading at some university. Down in the front row of the auditorium was a young lady in a leather microskirt and a leather microbolero, tied with a leather bootlace, and nothing else whatever. I said, "I have an extremely wide repertory. What would you like — sex, revolution, or mysticism?" She looked up and said quietly, "What’s the difference?"