“Our nation is far from what it was and what it should be. I have seen so many depressing changes made in my time that I cannot imagine what it must be like for you. There is so much wrong and on so many levels only passing through the crucible of another revolution can get us back the liberties we once had… I do not pretend to know what that revolution will look like or even if it would be successful…”

— Eric Frein

Letter to parents (December 2013)

Adopted from Wikiquote. Last update June 3, 2021. History

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Eric Frein 9

American fugitive 1983

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“I have made many things wrong in my life. I should have made many things better in my life, not only to Nastassja but many things. If someone said to me, 'You did everything wrong in your life,' I would say, 'Okay, maybe you're right.' But my way is the only way I can exist. I can feel and express things to understand how true somethings is. People in my life have tried to change me, and I have blown up even more violently and I said, 'What, do you really want to distort me?' What's left, you have to do it your way. I don't need a Bible to tell me I'm doing wrong a hundred million times in my life. Everything I did wrong in my life I am suffering a long time. It's coming back and back and back and back to me for years. I am not ashamed to tell myself what I am doing wrong, but there must always be a way to understand that's all I can do. What I want to say is I tried, okay, I tried, and I'm not breaking my head that it's not happened. It's like a growing plant. This tiny things is coming out, you can feel it coming out, it's breaking through, so it may be one day that she will understand many more things than she understands today. Nobody can come to me and say, 'Why haven't you seen this and why and why.”

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“My painting, at the limit, can only signify itself… It is. So much so, and so well, that anyone can make it and claim it… Perhaps the only thing that one can do after having seen a canvas like ours is total revolution.”

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“You have the opportunity to be more than spectators, you can be actors in the revolution, writing about it, expressing yourselves about it. And the generations to come, what will they ask of you? You might produce magnificent artistic works from a technical point of view, but if you were to tell someone from the future generation, 100 years from bow, that a writer, an intellectual, lived in the era of the revolution and did not write about the revolution, and was not a part of the revolution, it would be difficult for a person in the future to understand this. In the years to come there will be so many people who will want to paint about the revolution, to write about the the revolution, to express themselves on the revolution, compiling data an information in order to know what it was like, what happened, how we used to live.”

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“It's not easy, it's not easy. And I couldn't do it if I just didn't, you know, passionately believe it was the right thing to do. You know, I've had so many opportunities from this country, I just don't want to see us fall backwards - no. So - you know, this is very personal for me. It's not just political, it's not just public. I see what's happening, and we have to reverse it. And some people think elections are a game, they think it's like who's up or who's down. It's about our country, it's about our kids' futures, and it's really about all of us together. You know some of us put ourselves out there and do this against some pretty difficult odds. And we do it, each one of us, because we care about our country. But some of us are right and some of us are wrong, some of us are ready and some of us are not, some of us know what we will do to do on day one and some of haven't really thought that through enough. And so when we look at the array of problems we have and the potential for it getting - really spinning out of control, this is one of the most important elections America's ever faced. So as tired as I am - and I am - and as difficult as it is to try to kind of keep up with what I try to do on the road like occasionally exercise and try to eat right - it's tough when the easiest food is pizza - I just believe so strongly in who we are as a nation. So I'm going to do everything I can to make my case and, you know, then the voters get to decide.”

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“So from the age of 10, I became anorexic, and then bulimic, and then stayed that way for about 20 years, until one day I just said, "Hey, what if this is it? What if this is just what I look like and nothing I do changes that? So how much time would I save if I stopped taking that extra second every time I look in the mirror to call myself a big fat fuck? How much time would I save if I just let myself walk by a plate-glass window without sucking in my gut and throwing back my shoulders? How much time would I save?"”

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“Sometimes people let the same problem make them miserable for years when they could just say, "So what." That's one of my favorite things to say. "So what." "My mother didn't love me." So what. "My husband won't ball me." So what. "I'm a success but I'm still alone." So what. I don't know how I made it through all the years before I learned how to do that trick. It took a long time for me to learn it, but once you do, you never forget.”

Andy Warhol book The Philosophy of Andy Warhol

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“I am a great artist and I know it. It's because of what I am that I have endured so much suffering, so as to pursue my vocation, otherwise I would consider myself a rogue — which is what many people think I am, for that matter. Oh well, what difference does it make. What upsets me the most is not so much the poverty as the things that perpetually get in the way of my art, which I cannot carry out the way I feel and which I would carry out if it weren't for the poverty that is like a straitjacket. You tell me I am wrong to stay away from the artist[ic] center. No, I am right; I've known for a long time what I am doing and why I am doing it. My artistic center is in my brain and nowhere else, and I am strong because I am never thrown off-course by other people and because I do what is in me.”

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Original: Je suis un grand artiste et je le sais. C'est parce que je le suis que j'ai tellement enduré de souffrances. Pour poursuivre ma voie, sinon je me considérerai comme un brigand. Ce que je suis du reste pour beaucoup de personnes. Enfin, qu'importe! Ce qui me chagrine le plus c'est moins la misère que les empêchements perpétuels à mon art que je ne puis faire comme je le sens et comme je pourais le faire sans la misère qui me lie les bras. Tu me dis que j'ai tort de rester éloigné du centre artistique. Non, j'ai raison, je sais depuis longtemps ce que je fais et pourquoi je le fais. Mon centre artistique est dans mon cerveau et pas ailleurs et je suis fort parce que je ne suis jamais dérouté par les autres et je fais ce qui est en moi.
Source: 1890s - 1910s, The Writings of a Savage (1996), pp. 53-54: Quote in a letter to his wife, Mette (Tahiti, March 1892)

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Context: I was giving a reading at some university. Down in the front row of the auditorium was a young lady in a leather microskirt and a leather microbolero, tied with a leather bootlace, and nothing else whatever. I said, "I have an extremely wide repertory. What would you like — sex, revolution, or mysticism?" She looked up and said quietly, "What’s the difference?"

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