
“Gone before
To that unknown and silent shore.”
Hester (1803), st. 7.
The Covenant (1980) First lines
“Gone before
To that unknown and silent shore.”
Hester (1803), st. 7.
“These be
Three silent things:
The falling snow…the hour
Before the dawn…the mouth of one
Just dead.”
Triad.
Verses (1915)
"Where Desert Spirits Crowd the Night", p. 254
The Ivory and the Horn (1996)
“I had seen Jesus Christ on the margin of the lake. He came like an ordinary man along the path.”
Light (1919), Ch. XVI - De Profundis Clamavi
Context: I had seen Jesus Christ on the margin of the lake. He came like an ordinary man along the path. There is no halo round his head. He is only disclosed by his pallor and his gentleness. Planes of light draw near and mass themselves and fade away around him. He shines in the sky, as he shone on the water. As they have told of him, his beard and hair are the color of wine. He looks upon the immense stain made by Christians on the world, a stain confused and dark, whose edge alone, down on His bare feet, has human shape and crimson color. In the middle of it are anthems and burnt sacrifices, files of hooded cloaks, and of torturers, armed with battle-axes, halberds and bayonets; and among long clouds and thickets of armies, the opposing clash of two crosses which have not quite the same shape. Close to him, too, on a canvas wall, again I see the cross that bleeds. There are populations, too, tearing themselves in twain that they may tear themselves the better; there is the ceremonious alliance, "turning the needy out of the way," of those who wear three crowns and those who wear one; and, whispering in the ear of Kings, there are gray-haired Eminences, and cunning monks, whose hue is of darkness.
I saw the man of light and simplicity bow his head; and I feel his wonderful voice saying:
"I did not deserve the evil they have done unto me."
Robbed reformer, he is a witness of his name's ferocious glory. The greed-impassioned money-changers have long since chased Him from the temple in their turn, and put the priests in his place. He is crucified on every crucifix.
“Many miles away there's a shadow on the door
Of a cottage on the shore
Of a dark Scottish lake”
"Synchronicity II"
Synchronicity (1983)
Context: Daddy grips the wheel and stares alone into the distance
He knows that something somewhere has to break
He sees the family home now, looming in his headlights
The pain upstairs that makes his eyeballs ache
Many miles away there's a shadow on the door
Of a cottage on the shore
Of a dark Scottish lake