“RockNet: Were you terribly uncomfortable at the recent Grammy Award Show?
Cornell: I don't know. It's just a strange subject. It's almost as if the music industry is patting itself on the back in a way. This was the seventh Grammy nomination for us and had we won one for our first nomination I would have had a really cool attitude about it because it would have meant that the people who were actually voting were paying attention to music for music's sake as opposed to some other reason.
I was happy that we were nominated because it was an independent record company and it was a low-profile record. We didn't win a Grammy until we'd sold several millions and it seems that what sells a lot is what wins, even though the record may or may not be any good, but that seems to be the requirement.
I'm not critical of the people who work in the music industry, and I appreciate the Grammy. (But) to me it's their party and it's not really mine. It's not for the musicians. It has more to do with the industry. You can tell after a Grammy period all the record labels and artists who won a bunch take out full-page ads in the trades gloating. That's fine. That's what they do, they sell records and they work really hard to develop careers. If they're into it, I'm not going to be disrespectful, but I'd hate for anyone to think that it's something that was a necessity for me or the rest of the band, or that it was a benchmark to us of legitimacy for us because it's not. It doesn't really matter that much to us. It seems like it's for someone else. I'd never get up and say that. If I was totally not into it, the best thing to do is to not show up.
Maybe ten years from now I'll reflect and say "wow, that happened and it was pretty unusual. Not every kid on the block gets to go up and pick up a Grammy Award."”

citation needed

From Her Tours and CDs, Assassin CD

An Open Letter To Miles Davis (1955)
Context: I think my own way. I don't think like you and my music isn't meant just for the patting of feet and going down backs. When and if I feel gay and carefree, I write or play that way. When I feel angry I write or play that way — or when I'm happy, or depressed, even.
Just because I'm playing jazz I don't forget about me. I play or write me, the way I feel, through jazz, or whatever. Music is, or was, a language of the emotions. If someone has been escaping reality, I don't expect him to dig my music, and I would begin to worry about my writing if such a person began to really like it. My music is alive and it's about the living and the dead, about good and evil. It's angry, yet it's real because it knows it's angry.

No byline (2004-12-20), "John Mayer". Newsweek. 144 (25):71

"Nick Lowe" interview with Noel Murray at the A.V. Club (27 June 2007)
Context: You know, the actual punk music, I didn't care for at all. I thought it was all rubbish, really. It was the attitude, the way that things were being shaken up, that excited me more. I still liked people who were good, you know? Who could actually play. Even though The Damned were a punk group, they played great. As did Elvis, and as did Ian. They were the ones who interested me. Not some of those daft punkers, especially the ones who had people who were actually pretty good musicians sort of pretending to play badly. That was just so stupid, and missed the point completely, I thought. So it was the people who were true to themselves, I think, that were the exciting ones.

Blender magazine, October 2002

M.I.A. Interview http://web.archive.org/web/20070926225407/http://www.muchmusic.com/music/artists/transcripts.asp?artist=1213 on MuchMusic's MuchOnDemand (September 2005).
Sourced quotes

My Heart Will Always Be The B-Side To My Tongue (2004), Ultimate Guitar Interview (2008)

Letters on the French Stage (1837)